The wounded chance of Antony, though my reason [Exeunt. SCENE IX.-Alexandria.-A Room in the Palace. Enter ANTONY and Attendants. Ant. Hark, the land bids me tread no more upon 't, It is asham'd to bear me!-Friends, come hither, I am so lated in the world, that I Have lost my way for ever:-I have a ship Att. Fly! not we. My treasure's in the harbour, take it.-0, Enter EROS and CLEOPATRA, led by CHARMIAN and IRAS. Eros. Nay, gentle madam, to him ;-Comfort him. Iras. Do, most dear queen. Char. Do! why, what else? Cleo. Let me sit down. O Juno! Ant. No, no, no, no, no. Eros. See you here, sir? Char. Madam,— Iras. Madam; O good empress!- Ant. Yes, my lord, yes:-He, at Philippi, kept Eros. The queen, my lord, the queen. Iras. Go to him, madam, speak to him; He is unqualitied with very shame. Cleo. Well then,-Sustain me:-O! Eros. Most noble sir, arise; the queen approaches; Her head's declin'd, and death will seize her; but Your comfort makes the rescue. Ant. I have offended reputation; A most unnoble swerving. Eros. Sir, the queen. Ant. O, whither hast thou led me, Egypt? See, How I convey my shame out of thine eyes By looking back on what I have left behind 'Stroy'd in dishonour. Cleo. O my lord, my lord! Forgive my fearful sails; I little thought You would have follow'd. a A passage in 'All's Well that Ends Well' explains this allusion: "Till honour be bought up, and no sword worn, But one to dance with." b Made war by lieutenants. Ant. Egypt, thou knew'st too well Cleo. Ant. O, my pardon. Now I must To the young man send humble treaties, dodge Ant. Fall not a tear, I say; one of them rates All that is won and lost: Give me a kiss: Even this repays me.-We sent our schoolmaster, Is he come back?-Love, I am full of lead :— Some wine, within there, and our viands:-Fortune knows We scorn her most when most she offers blows. SCENE X.-Cæsar's Camp, in Egypt. [Exeunt. Enter CESAR, DOLABELLA, THYREUS, and others. Cæs. Let him appear that 's come from Antony.Know you him? Dol. Cæsar, 't is his schoolmaster: Which had superfluous kings for messengers, Enter EUPHRONIUS. Cæs. Approach, and speak. Eup. Such as I am, I come from Antony : As is the morn-dew on the myrtle-leaf Cæs. Be it so: Declare thine office. Cæs. Cæs. Bring him through the bands. To try thy eloquence, now 't is time: Despatch; [To THYREUS. Thyr. Cæsar, I go. Cæs. Observe how Antony becomes his flaw; And what thou think'st his very action speaks In every power that moves. Thyr. Cæsar, I shall. [Exeunt. SCENE XI.-Alexandria. A Room in the Palace. Enter CLEOPATRA, ENOBARBUS, CHARMIAN, and IRAS. Cleo. What shall we do, Enobarbus? Eno. Have nick'd his captainship; at such a point, Cleo. Prithee, peace. Enter ANTONY, with EUPHRONIUS. Ant. Is that his answer? Eup. Ay, my lord. Ant. The queen shall then have courtesy, so she will Us up. yield Eup. He says so. Ant. Let her know it. To the boy Cæsar send this grizzled head, Clco. That head, my lord? Ant. To him again: Tell him, he wears the rose Of youth upon him; from which the world should note Something particular: his coins, ships, legions, May be a coward's; whose ministers would prevail a Mered. Mere is a boundary; and to mere is to mark, to limit. |