ENGRAVINGS ON WOOD. PART I. Ye Finny Tribes, by Nature gay, Charterhouse, Jan. 2d, 1843. J. M. I. View from Lea Bridge,* drawn by T. CRESWICK, A.R.A. In the Title. 2. Portraits of DONNE, WOTTON, HOOKER, HERBERT, and SANDERSON, whose Lives were written by WALTON, drawn by J. W. ARCHER 3. Autograph of CHARLES COTTON 5. Seal-ring, a memorial-bequest from Sir H. DAVY to his friend, W. H. PEPYS, Esq. 6. Additional Autograph of WALTON, and engraving of a Seal given to him by Dr. DONNE I 6 7 26 33 * The views on the RIVER DOVE accompanying Part II. were most kindly placed at my disposal by my friend JOHN L. ANDERDON, Esq. Being the result of several journeys made in the very spirit of Pilgrimage to those romantic spots, they form a very interesting illustration. I have also induced T. CRESWICK, Esq., to make repeated visits to the LEA, in order that this edition may boast a full display of the actual scenery of both parts of this tranquillizing book. 7. Old Houses in Fleet Street, including the residence of WALTON 8. View of Madeley Manor, drawn by J. W. ARCHER 9. The Angler's Study, drawn by K. MEADOWs, Esq. 10. View of Ware on the River Lea, drawn by T. CRESWICK, A. R. A. II. Initial Letter to Chapter J. alluding to its contents of Angling, Hunting, and Hawking, drawn by J. W. ARCHER. 12. Montaigne playing with his Cat, drawn by K. These portraits of eminent men "of wisdom, learning, and experience," many of them personal friends of the author, were drawn on the blocks from the best authorities, by J. W. ARCHER. 14. Portrait of DEAN NOWELL, who "spent a tenth part of his time in Angling " . 15. View of Amwell Hill and Bridge over the New River, near Ware, drawn by T. CRESWICK, A. R. A.. 16. The OTTER, drawn from the life at the Zoological Esq. The animal was in the act of devouring 17. The CHUB, from an original painting by W. These fish, with a few exceptions, are drawn on the blocks by ALEXANDER FUSSELL, from the originals, painted by A. COOPER, Esq., R.A., and W. SMITH, Esq., expressly for this work, and now in the possession of my friend, W. YARRELL, Esq. 18. Portrait of W. CAMDEN, Esq., from “ Morgan's Sphere of Gentry". 99 19. View of Broxbourn, on the River Lea, by T. CRESWICK, A. R. A. 106 121 20. SKEGGER TROUT, from an original Painting by W. 21. Portrait of Sir WALTER RALEIGH 22. The TROUT, from an original Painting by A. 23. A Gypsy Camp, drawn by K. MEADOWS, Esq. SMITH 25. Portrait of ULYSSES ALDROVANDUS 26. The SALMON, from an original Painting by A. COOPER, R. A. 27. View of Waltham Abbey, by T. CRESWICK, A. R. A. 123 165 167 168 173 177 184 191 28. The PIKE, from an original Painting by A. Coop ER, R. A. 29. Portrait of LORD BACON 30. The CARP, from an original Painting by GEO. LANCE, Esq., in the possession of W. J. BRODERIP, Esq., drawn on the block by J. W. ARCHER, under the superintendence of the painter himself. Exhibited at the British Institution, 1844 31. Portrait of CONRAD GESNER 32. The BREAM, from an original Painting by W. SMITH 33. View on the Lea, Mrs. BULLIN'S Cottage, Chingford, by T. CRESWICK, A. R. A. 34. The TENCH, from an original Painting by A. 35. View on the Lea, — the "Stop," Chingford, — by T. CRESWICK, A.R. A. . 213 36. The PEARCH, drawn from life by ALEX. FUSSELL 216 37. Portrait of GUIL. RONDELETIUS 38. The EEL, from an original Painting by W. SMITH 39. Portrait of JOHN GERHARD, the Herbalist . 40. The BARBEL, drawn from the life by ALEX. FUS 41. Portrait of ARCHBISHOP Sheldon. 42. The GUDGEON, from the life by ALEX. FUSSELL 43. The POPE or RUFFE, from the life by Ditto 44. The BLEAK, from the life by Ditto. 45. View on the Lea, Ponders End, by T. CRES 219 225 228 WICK, A. R. A. 238 247 47. The ROACH, from the life by ALEX. FUSSELL 249 48. The DACE, from the life by Ditto 250 49. View on the Lea, 260 46. Youthful Portrait of EDMUND WALLER "Rural-bit," near Edmon ton, by T. CRESWICK, A. R.A. 50. The MINNOW, LOACH, and BULLHEAD, from an original Painting by W. SMITH 51. Infantine Fishing Party, by K. MEADOWS, Esq. man who dared do anything rather than tell an 53. Portrait of BISHOP DUBRAVIUS, from a rare Print The whole of the views by T. CRESWICK, Esq. were taken on the spot expressly for this work, and afterwards drawn on the blocks by himself. 261 265 269 274 290 PART II. Come, enjoy these rosy bowers, Joys of music, love, and wine: Every thought of pomp or wealth, Lost in joys of rosy health! Charterhouse, June 10th, 1843. J. M. 55. Cipher of WALTON and COTTON, faithfully re duced from the original of 1676 56. Brelsford Well. 57. Initial Letter, drawn by J. W. ARCHER 58. The Spittle Hill, the party descending on horse In the Title. 293 293 a spot which 61. Back view of the Fishing-House COTTON used to call his " open air dining 64. Rocks, with confluence of the Dove and Cooper Brook 355 65. Rocks, called the "Dove Holes" and the "Shep herd's Abbey" 364 66. The Great Hawthorn-Tree in Dove Dale. 366 67. View in Dove Dale, near the Manifold River 370 378 |