Shakespeare at the Cineplex: The Kenneth Branagh EraOhio University Press, 2003 - 254 páginas Rated ‘Outstanding’ in the 2004 edition of University Press Books Selected for Public and Secondary School Libraries Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989). Crowl presents the rich variety of these films in the “long decade: between the fall of the Berlin Wall and the terrorist attacks on September 11, 2001.” The productions range from Hollywood-saturated films such as Franco Zeffirelli's Hamlet and Michael Hoffman's A Midsummer Night's Dream to more modest, experimental offerings, such as Christine Edzard's As You Like It. Now available in paperback, Shakespeare at the Cineplex will be welcome reading for fans, students, and scholars of Shakespeare in performance. |
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Página 48
... Juliet did not appear . By 1975 , Romeo and Juliet had zoomed to the top of that list , where it has re- mained , sustained by countless replays of Zeffirelli's film , for more than twenty - five years . The film's immense popularity ...
... Juliet did not appear . By 1975 , Romeo and Juliet had zoomed to the top of that list , where it has re- mained , sustained by countless replays of Zeffirelli's film , for more than twenty - five years . The film's immense popularity ...
Página 124
... Juliet's passion derives its en- ergy and beauty from being both iconoclastic and heretical : Romeo : What shall I swear by ? Juliet : Do not swear at all Or if thou wilt , swear by thy gracious self , Which is the god of my idolatry ...
... Juliet's passion derives its en- ergy and beauty from being both iconoclastic and heretical : Romeo : What shall I swear by ? Juliet : Do not swear at all Or if thou wilt , swear by thy gracious self , Which is the god of my idolatry ...
Página 133
... Juliet . The fish in the aquarium through which the lovers first spy each other are blue and yel- low ; the neon crosses that line the aisle leading to Juliet's shroud are out- lined in blue and interspersed with the flickering yellow ...
... Juliet . The fish in the aquarium through which the lovers first spy each other are blue and yel- low ; the neon crosses that line the aisle leading to Juliet's shroud are out- lined in blue and interspersed with the flickering yellow ...
Índice
19892001 | 1 |
Branaghs | 25 |
Zeffirellis Hamlet | 47 |
Direitos de autor | |
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Outras edições - Ver tudo
Shakespeare at the Cineplex: The Kenneth Branagh Era Samuel Crowl Pré-visualização indisponível - 2003 |
Palavras e frases frequentes
Aaron actors audience Beatrice Benedick Branagh's film Branagh's Hamlet Branagh's Henry Branagh's Much Ado captured Cesario cinematic Claudius Claudius's Close's comedy contemporary Coursen create culture cuts decade Desdemona director Donaldson echo Edzard's father festive Fishburne Fishburne's Fortinbras frame genre Gertrude ghost H. R. Coursen Hamlet Hawke's History of Shakespeare Hoffman Hollywood Iago Iago's Ibid images imagination Jorgens Kenneth Branagh landscape language Loncraine Loncraine's Love's Labour's Lost lovers Luhrmann's film Malvolio McKellen Midsummer Night's Dream mirror move movie musical Noble's Nunn Olivier Olivier's Ophelia Orsino Othello performance Photofest play's Polonius postmodern provides relationship released Richard Richard III romantic Romeo and Juliet Rothwell Royal Shakespeare Company scene screenplay script sequence Shake Shakespeare films Shakespeare on Film Shakespeare on Screen Shakespeare's text Shakespearean material shot soliloquy song speare speare's stage production style Taymor's Titus theater theatrical tion Titus's Twelfth Night visual Welles's William Shakespeare's Romeo Zeffirelli's film Zeffirelli's Hamlet
Referências a este livro
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Pré-visualização limitada - 2007 |