Shakespeare at the Cineplex: The Kenneth Branagh EraOhio University Press, 2003 - 254 páginas Rated ‘Outstanding’ in the 2004 edition of University Press Books Selected for Public and Secondary School Libraries Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989). Crowl presents the rich variety of these films in the “long decade: between the fall of the Berlin Wall and the terrorist attacks on September 11, 2001.” The productions range from Hollywood-saturated films such as Franco Zeffirelli's Hamlet and Michael Hoffman's A Midsummer Night's Dream to more modest, experimental offerings, such as Christine Edzard's As You Like It. Now available in paperback, Shakespeare at the Cineplex will be welcome reading for fans, students, and scholars of Shakespeare in performance. |
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Página 70
... audience . The commercial success of Branagh's Much Ado created a climate that made possible the financing of Nunn's film of Twelfth Night , produced by Branagh's Renaissance Films Production Company . Nunn's version of Shakespeare's ...
... audience . The commercial success of Branagh's Much Ado created a climate that made possible the financing of Nunn's film of Twelfth Night , produced by Branagh's Renaissance Films Production Company . Nunn's version of Shakespeare's ...
Página 81
... audience as they sing " your true love's coming / That can sing both high and low , " with one voice clearly a soprano , the other a baritone . But which is which ? The performers , disguised in identical yashmaks , then begin a comic ...
... audience as they sing " your true love's coming / That can sing both high and low , " with one voice clearly a soprano , the other a baritone . But which is which ? The performers , disguised in identical yashmaks , then begin a comic ...
Página 211
... audience unpre- pared for such a radical representation of human vulnerability and trans- gression a laughter even more probable from a film audience trained in the largely realistic conventions of the genre . With her film's opening ...
... audience unpre- pared for such a radical representation of human vulnerability and trans- gression a laughter even more probable from a film audience trained in the largely realistic conventions of the genre . With her film's opening ...
Índice
19892001 | 1 |
Branaghs | 25 |
Zeffirellis Hamlet | 47 |
Direitos de autor | |
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Outras edições - Ver tudo
Shakespeare at the Cineplex: The Kenneth Branagh Era Samuel Crowl Pré-visualização indisponível - 2003 |
Palavras e frases frequentes
Aaron actors audience Beatrice Benedick Branagh's film Branagh's Hamlet Branagh's Henry Branagh's Much Ado captured Cesario cinematic Claudius Claudius's Close's comedy contemporary Coursen create culture cuts decade Desdemona director Donaldson echo Edzard's father festive Fishburne Fishburne's Fortinbras frame genre Gertrude ghost H. R. Coursen Hamlet Hawke's History of Shakespeare Hoffman Hollywood Iago Iago's Ibid images imagination Jorgens Kenneth Branagh landscape language Loncraine Loncraine's Love's Labour's Lost lovers Luhrmann's film Malvolio McKellen Midsummer Night's Dream mirror move movie musical Noble's Nunn Olivier Olivier's Ophelia Orsino Othello performance Photofest play's Polonius postmodern provides relationship released Richard Richard III romantic Romeo and Juliet Rothwell Royal Shakespeare Company scene screenplay script sequence Shake Shakespeare films Shakespeare on Film Shakespeare on Screen Shakespeare's text Shakespearean material shot soliloquy song speare speare's stage production style Taymor's Titus theater theatrical tion Titus's Twelfth Night visual Welles's William Shakespeare's Romeo Zeffirelli's film Zeffirelli's Hamlet
Referências a este livro
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Pré-visualização limitada - 2007 |