Shakespeare at the Cineplex: The Kenneth Branagh EraOhio University Press, 2003 - 254 páginas Rated ‘Outstanding’ in the 2004 edition of University Press Books Selected for Public and Secondary School Libraries Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989). Crowl presents the rich variety of these films in the “long decade: between the fall of the Berlin Wall and the terrorist attacks on September 11, 2001.” The productions range from Hollywood-saturated films such as Franco Zeffirelli's Hamlet and Michael Hoffman's A Midsummer Night's Dream to more modest, experimental offerings, such as Christine Edzard's As You Like It. Now available in paperback, Shakespeare at the Cineplex will be welcome reading for fans, students, and scholars of Shakespeare in performance. |
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Página 36
... comes directly from other films . All filmmakers learn from one another . Orson Welles watched a print of Stagecoach every night for a month to learn film's grammar and rhetoric before shooting his first film , Citizen Kane . But one ...
... comes directly from other films . All filmmakers learn from one another . Orson Welles watched a print of Stagecoach every night for a month to learn film's grammar and rhetoric before shooting his first film , Citizen Kane . But one ...
Página 81
... comes to a crashing end as the passengers try to scurry to safety . During all this , the camera has lingered on a ... come from the sea , who can " sing both high and low " and who , in the disguised figure of Viola / Cesario ...
... comes to a crashing end as the passengers try to scurry to safety . During all this , the camera has lingered on a ... come from the sea , who can " sing both high and low " and who , in the disguised figure of Viola / Cesario ...
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... comes crashing into Elsinore , smashing its mirrors and toppling its icons . Branagh , like all artists , destroys even as he creates , and all the rush and energy of his career has come to a shattering head in his film of Ham- let ...
... comes crashing into Elsinore , smashing its mirrors and toppling its icons . Branagh , like all artists , destroys even as he creates , and all the rush and energy of his career has come to a shattering head in his film of Ham- let ...
Índice
19892001 | 1 |
Branaghs | 25 |
Zeffirellis Hamlet | 47 |
Direitos de autor | |
10 outras secções não apresentadas
Outras edições - Ver tudo
Shakespeare at the Cineplex: The Kenneth Branagh Era Samuel Crowl Pré-visualização indisponível - 2003 |
Palavras e frases frequentes
Aaron actors audience Beatrice Benedick Branagh's film Branagh's Hamlet Branagh's Henry Branagh's Much Ado captured Cesario cinematic Claudius Claudius's Close's comedy contemporary Coursen create culture cuts decade Desdemona director Donaldson echo Edzard's father festive Fishburne Fishburne's Fortinbras frame genre Gertrude ghost H. R. Coursen Hamlet Hawke's History of Shakespeare Hoffman Hollywood Iago Iago's Ibid images imagination Jorgens Kenneth Branagh landscape language Loncraine Loncraine's Love's Labour's Lost lovers Luhrmann's film Malvolio McKellen Midsummer Night's Dream mirror move movie musical Noble's Nunn Olivier Olivier's Ophelia Orsino Othello performance Photofest play's Polonius postmodern provides relationship released Richard Richard III romantic Romeo and Juliet Rothwell Royal Shakespeare Company scene screenplay script sequence Shake Shakespeare films Shakespeare on Film Shakespeare on Screen Shakespeare's text Shakespearean material shot soliloquy song speare speare's stage production style Taymor's Titus theater theatrical tion Titus's Twelfth Night visual Welles's William Shakespeare's Romeo Zeffirelli's film Zeffirelli's Hamlet
Referências a este livro
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Pré-visualização limitada - 2007 |