Shakespeare at the Cineplex: The Kenneth Branagh EraOhio University Press, 2003 - 254 páginas Rated ‘Outstanding’ in the 2004 edition of University Press Books Selected for Public and Secondary School Libraries Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989). Crowl presents the rich variety of these films in the “long decade: between the fall of the Berlin Wall and the terrorist attacks on September 11, 2001.” The productions range from Hollywood-saturated films such as Franco Zeffirelli's Hamlet and Michael Hoffman's A Midsummer Night's Dream to more modest, experimental offerings, such as Christine Edzard's As You Like It. Now available in paperback, Shakespeare at the Cineplex will be welcome reading for fans, students, and scholars of Shakespeare in performance. |
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Página 17
... play's use of song to capture its melancholy awareness of the precariousness of the romantic moment . Nunn beautifully cross - cuts between Feste and the midnight revelers singing " O Mistress Mine " to spin the song's theme out to ...
... play's use of song to capture its melancholy awareness of the precariousness of the romantic moment . Nunn beautifully cross - cuts between Feste and the midnight revelers singing " O Mistress Mine " to spin the song's theme out to ...
Página 39
... play's final scenes . The question , as Branagh has ex- pressed it , begins with cinematically solving the problem of Shakespeare's language : " in the case of Love's Labour's Lost ... a play so caught up with the idea of how language ...
... play's final scenes . The question , as Branagh has ex- pressed it , begins with cinematically solving the problem of Shakespeare's language : " in the case of Love's Labour's Lost ... a play so caught up with the idea of how language ...
Página 142
... play's central character . Terrence Rafferty understands well the purposes of this style at work in Hamlet : Branagh . rarely passes up the opportunity for a big visual ef- fect : when the ghost of Hamlet's murdered father appears to ...
... play's central character . Terrence Rafferty understands well the purposes of this style at work in Hamlet : Branagh . rarely passes up the opportunity for a big visual ef- fect : when the ghost of Hamlet's murdered father appears to ...
Índice
19892001 | 1 |
Branaghs | 25 |
Zeffirellis Hamlet | 47 |
Direitos de autor | |
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Outras edições - Ver tudo
Shakespeare at the Cineplex: The Kenneth Branagh Era Samuel Crowl Pré-visualização indisponível - 2003 |
Palavras e frases frequentes
Aaron actors audience Beatrice Benedick Branagh's film Branagh's Hamlet Branagh's Henry Branagh's Much Ado captured Cesario cinematic Claudius Claudius's Close's comedy contemporary Coursen create culture cuts decade Desdemona director Donaldson echo Edzard's father festive Fishburne Fishburne's Fortinbras frame genre Gertrude ghost H. R. Coursen Hamlet Hawke's History of Shakespeare Hoffman Hollywood Iago Iago's Ibid images imagination Jorgens Kenneth Branagh landscape language Loncraine Loncraine's Love's Labour's Lost lovers Luhrmann's film Malvolio McKellen Midsummer Night's Dream mirror move movie musical Noble's Nunn Olivier Olivier's Ophelia Orsino Othello performance Photofest play's Polonius postmodern provides relationship released Richard Richard III romantic Romeo and Juliet Rothwell Royal Shakespeare Company scene screenplay script sequence Shake Shakespeare films Shakespeare on Film Shakespeare on Screen Shakespeare's text Shakespearean material shot soliloquy song speare speare's stage production style Taymor's Titus theater theatrical tion Titus's Twelfth Night visual Welles's William Shakespeare's Romeo Zeffirelli's film Zeffirelli's Hamlet
Referências a este livro
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Pré-visualização limitada - 2007 |