Shakespeare at the Cineplex: The Kenneth Branagh EraOhio University Press, 2003 - 254 páginas Rated ‘Outstanding’ in the 2004 edition of University Press Books Selected for Public and Secondary School Libraries Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989). Crowl presents the rich variety of these films in the “long decade: between the fall of the Berlin Wall and the terrorist attacks on September 11, 2001.” The productions range from Hollywood-saturated films such as Franco Zeffirelli's Hamlet and Michael Hoffman's A Midsummer Night's Dream to more modest, experimental offerings, such as Christine Edzard's As You Like It. Now available in paperback, Shakespeare at the Cineplex will be welcome reading for fans, students, and scholars of Shakespeare in performance. |
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Página 137
... soliloquy in his father's burial crypt - a communication with death and the dead . Both films incorporate Qi's placement of the soliloquy ; hence , for both Olivier and Gibson the soliloquy is sparked by Hamlet's escape from the charged ...
... soliloquy in his father's burial crypt - a communication with death and the dead . Both films incorporate Qi's placement of the soliloquy ; hence , for both Olivier and Gibson the soliloquy is sparked by Hamlet's escape from the charged ...
Página 138
... soliloquy emerges as an imagined conversation with the absent father . Branagh's version firmly embeds Hamlet in the perils of Claudius's world , not the Ghost's . His Hamlet is not trapped between above and below but between past and ...
... soliloquy emerges as an imagined conversation with the absent father . Branagh's version firmly embeds Hamlet in the perils of Claudius's world , not the Ghost's . His Hamlet is not trapped between above and below but between past and ...
Página 146
... soliloquy . " 21 For Osborne , the circular movements of the camera in these moments signal " the authenticity and fullness of Ham- let's presence . " 22 For instance , in the first soliloquy the camera begins its journey on the right ...
... soliloquy . " 21 For Osborne , the circular movements of the camera in these moments signal " the authenticity and fullness of Ham- let's presence . " 22 For instance , in the first soliloquy the camera begins its journey on the right ...
Índice
19892001 | 1 |
Branaghs | 25 |
Zeffirellis Hamlet | 47 |
Direitos de autor | |
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Outras edições - Ver tudo
Shakespeare at the Cineplex: The Kenneth Branagh Era Samuel Crowl Pré-visualização indisponível - 2003 |
Palavras e frases frequentes
Aaron actors audience Beatrice Benedick Branagh's film Branagh's Hamlet Branagh's Henry Branagh's Much Ado captured Cesario cinematic Claudius Claudius's Close's comedy contemporary Coursen create culture cuts decade Desdemona director Donaldson echo Edzard's father festive Fishburne Fishburne's Fortinbras frame genre Gertrude ghost H. R. Coursen Hamlet Hawke's History of Shakespeare Hoffman Hollywood Iago Iago's Ibid images imagination Jorgens Kenneth Branagh landscape language Loncraine Loncraine's Love's Labour's Lost lovers Luhrmann's film Malvolio McKellen Midsummer Night's Dream mirror move movie musical Noble's Nunn Olivier Olivier's Ophelia Orsino Othello performance Photofest play's Polonius postmodern provides relationship released Richard Richard III romantic Romeo and Juliet Rothwell Royal Shakespeare Company scene screenplay script sequence Shake Shakespeare films Shakespeare on Film Shakespeare on Screen Shakespeare's text Shakespearean material shot soliloquy song speare speare's stage production style Taymor's Titus theater theatrical tion Titus's Twelfth Night visual Welles's William Shakespeare's Romeo Zeffirelli's film Zeffirelli's Hamlet
Referências a este livro
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Pré-visualização limitada - 2007 |