The Administration of Aesthetics: Censorship, Political Criticism, and the Public Sphere

academic action aesthetic allowed American Angeles appeared argued artists attempt become called censor censorship Chapelain claims construct Corneille correctness course criticism critique cultural debate discourse discussion dream edition effect essay example exhibition fact force freedom Freud give hand human idea ideological important institutions interest Islamic issue kind LACMA letter liberal Liberty literary literature London means Milton moral museum nature Nazi noted notion novel object opposition paintings Paris particular performance person play political position possible postmodern practice present production public sphere published question reader reading reason recent relation represented Richelieu role seems sense social society space speak structures Studies suggest theory things thought tion traditional truth turn Ulysses understanding University Press values writing York