The Administration of Aesthetics: Censorship, Political Criticism, and the Public SphereRichard Burt U of Minnesota Press - 381 páginas |
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Página xi
... images is prevented by the impossibility of reproducing privately owned appropriated or parodied images ; corporate sponsors of public museums sponsor only " safe " art , effectively censoring xi Introduction: The "New" Censorship.
... images is prevented by the impossibility of reproducing privately owned appropriated or parodied images ; corporate sponsors of public museums sponsor only " safe " art , effectively censoring xi Introduction: The "New" Censorship.
Página xii
Censorship, Political Criticism, and the Public Sphere Richard Burt. museums sponsor only " safe " art , effectively ... museum exhibitions have tended to assume that censorship clearly divides right and left : the right is for it , the ...
Censorship, Political Criticism, and the Public Sphere Richard Burt. museums sponsor only " safe " art , effectively ... museum exhibitions have tended to assume that censorship clearly divides right and left : the right is for it , the ...
Página xxiii
... Museum of Art inadver- tently reproduced many of the Nazis ' censorious techniques . Timo- thy Murray examines the celebration of one of censorship's oppo- site numbers , namely , liberty . In " The Contrast Hurts : Censoring the Ladies ...
... Museum of Art inadver- tently reproduced many of the Nazis ' censorious techniques . Timo- thy Murray examines the celebration of one of censorship's oppo- site numbers , namely , liberty . In " The Contrast Hurts : Censoring the Ladies ...
Página xxvii
... museum curators like Christina Orr- Cahal ( who refused to show Mapplethorpe at the Corcoran in 1989 ) and Elisabeth Broun ( who attempted to block Sol le Witt's contribution to the Smithsonian exhibition on Ead- weard Muybridge ) ...
... museum curators like Christina Orr- Cahal ( who refused to show Mapplethorpe at the Corcoran in 1989 ) and Elisabeth Broun ( who attempted to block Sol le Witt's contribution to the Smithsonian exhibition on Ead- weard Muybridge ) ...
Página xxviii
... Museum of Art , 1992 ) , especially Brian Wallis , " We Don't Need Another Hero : Aspects of the Critical Reception of the Work of Jeff Koons , ” 27-33 , and Martha Buskirk , " Commodification as Censor : Copyrights and Fair Use ...
... Museum of Art , 1992 ) , especially Brian Wallis , " We Don't Need Another Hero : Aspects of the Critical Reception of the Work of Jeff Koons , ” 27-33 , and Martha Buskirk , " Commodification as Censor : Copyrights and Fair Use ...
Índice
Part II Censorship and Modernity | 123 |
Part III The New Censorship and Postmodernity | 193 |
Contributors | 371 |
Index | 375 |
Outras edições - Ver tudo
The Administration of Aesthetics: Censorship, Political Criticism, and the ... Richard Burt Pré-visualização limitada - 1994 |
The Administration of Aesthetics: Censorship, Political Criticism, and the ... Richard Burt Pré-visualização indisponível - 1994 |
Palavras e frases frequentes
academic Adorno aesthetic American Angeles Areopagitica argued artists avant-garde Balzac bawdy Blade Runner Cambridge censor censorship Cerf Chapelain claims conflict contemporary context Corneille critical critique cultural cyberpunk cyborg dada debate Degenerate Art discourse discussion distortion dream edition effect essay film freedom Freud Habermas Hôtel de Rambouillet ideological institutions interest Islamic Jean Chapelain Joyce Joyce's LACMA exhibition legitimate letter liberal Liberty Liberty Weekend literary literature London Midnight's Children Milton modernist moral museum Muslim Nazi art Nazi exhibition novel opposition paintings Paris performance persuasion play political correctness postmodern production public sphere published question reader reading recent relation represented Richelieu Robocop role Rousseau Rushdie Rushdie's Ruskin Satanic Verses sense sexual Shakespeare sion social sorship space sublime suggest theater theatrical theory tion traditional trans truth Ulysses University Press Václav Havel values Wallen Whistler writing York