Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2003 - 494 páginas It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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... Sense of the Senses : Sound , Gesture , and the Body on Stage 147 8. Narrative Form and Theatrical Illusions 166 9. Framing Space : Time , Perspective , and Motion in the Image 181 THE COMMERCE OF LETTERS 10. Dramatists , Poets , and ...
... Sense of the Senses : Sound , Gesture , and the Body on Stage 147 8. Narrative Form and Theatrical Illusions 166 9. Framing Space : Time , Perspective , and Motion in the Image 181 THE COMMERCE OF LETTERS 10. Dramatists , Poets , and ...
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... sense of the inadequacy of the focus on the local alone , my dis- comfort with the burdening of the single telling instance with a vast historical supernarrative . Like those who have attacked universal models of the impact of lit ...
... sense of the inadequacy of the focus on the local alone , my dis- comfort with the burdening of the single telling instance with a vast historical supernarrative . Like those who have attacked universal models of the impact of lit ...
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... Sense of the Senses : Sound , Gesture , and the Body on Stage , " examines the role of print in the represen- tation and notation of theatrical media , looking at the shifting positions of the senses identified with them : the ...
... Sense of the Senses : Sound , Gesture , and the Body on Stage , " examines the role of print in the represen- tation and notation of theatrical media , looking at the shifting positions of the senses identified with them : the ...
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Índice
Experimenting on the Page 14801630 | 15 |
Drama us Institution 16301760 | 41 |
Illustrations Promptbooks Stage Texts 17601880 | 66 |
THEATRE IMPRIMATUR | 91 |
Reinventing Theatre via the Printing Press | 93 |
Critical Law Theatrical License | 113 |
Accurate Texts Authoritative Editions | 129 |
THE SENSES OF MEDIA | 145 |
Dramatists Poets and Other Scribblers | 203 |
Who Owns the Play? Pirate Plagiarist Imitator Thief | 219 |
Making it Public | 237 |
THEATRICAL IMPRESSIONS | 255 |
Scenic Pictures | 257 |
ActorAuthor | 276 |
A Theatre Too Much With Us | 294 |
Epilogue | 308 |
The Sense of the Senses Sound Gesture and the Body on Stage | 147 |
Narrative Form and Theatrical Illusions | 166 |
Framing Space Time Perspective and Motion in the Image | 181 |
THE COMMERCE OF LETTERS | 201 |
Notes | 313 |
Works Cited | 444 |
487 | |
Outras edições - Ver tudo
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Pré-visualização limitada - 2000 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Visualização de excertos - 2000 |
Palavras e frases frequentes
17th century acting action actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte copies Corneille culture dedication dialogue discussion dramatic texts dramatists early edition eighteenth century English explains farces folio France French genres gesture Heywood identified illustrations imagination imitation instance Italian John Jonson kind language letters Library literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval Mémoires modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playwrights poem poet poetic poetry preface printed plays printers production prologue promptbooks published qu'il quarto readers reading Renaissance representation represented Robinson Crusoé scene scenic scripts senses seventeenth century Shakespeare similarly space spectacle spectators speech stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupe words writes
Referências a este livro
The English Renaissance Stage:Geometry, Poetics, and the Practical Spatial ... Henry S. Turner Pré-visualização indisponível - 2006 |