The Homoerotics of Early Modern Drama

Capa
Cambridge University Press, 04/09/1997 - 216 páginas
This book is the first comprehensive account of homoeroticism in Renaissance drama. Mario DiGangi analyses the relation between homoeroticism and social power in a wide range of literary and historical texts from the 1580s to the 1620s, drawing on the insights of materialist, feminist and queer theory. Each chapter focuses on the homoerotics of a major dramatic genre (Ovidian comedy, satiric comedy, tragedy and tragicomedy) and studies the ideologies and institutions it characteristically explores.

No interior do livro

Opinião das pessoas - Escrever uma crítica

Não foram encontradas quaisquer críticas nos locais habituais.

Índice

Introduction
1
The homoerotics of marriage in Ovidian comedy
29
The homoerotics of mastery in satiric comedy
64
The homoerotics of favoritism in tragedy
100
The homoerotics of masculinity in tragicomedy
134

Outras edições - Ver tudo

Palavras e frases frequentes

Informação bibliográfica