The Semiotic Bridge: Trends from California

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Irmengard Rauch, Gerald F. Carr
Walter de Gruyter, 1989 - 428 páginas

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Índice

Sign self and society
1
A case study in the semiotics of ritual and theatre
11
Lyotard and the theatre of energy 24
21
The nonfiction film and its spectator
33
Robert Wilsons music theatre
49
The semiotics of theatrical setting
57
The effacement of racial difference in Judge Priest
65
The Prague School concept of the stage figure
75
Facets of the counter
207
Definitions of family and kinship relations with divorce
241
Some observations on
279
Freud and the technical media
297
Some semiotic frames
305
Semiotic evolution as a vindication of Lamarck
319
Information theory and the semiotic sign
329
Humboldt on the semiotics of writing
339

Dario Fo and the subversion of the script 87 888
87
The art song as intertextual genre
97
On Vico
125
Louis Wolfson Paul Celan
153
Goethes Wandrers
163
The heuristics of automatic story generation
173
Two operatic tetralogies
189
An interdisciplinary supplementation
197
A case
347
A fundamental misunderstanding
355
Their varying impact on language
363
privacy and firstness
375
Towards an analysis of Humboldts inner language form
409
Index
423
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