A Compendium and Concordance of the Complete Works of Shakespeare: Also, an Index of Every Character in the Dramas and where They AppearGebbie & Company, 1889 - 409 páginas |
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... the characters in Shakespeare's works have been brought together and registered each in the proper place . GEBBIE & Co. Philadelphia , July 6 , 1889 . CONTENTS . LAGE THE TEMPEST Two GENTLEMEN OF VERONA MERRY vi PREFACE .
... the characters in Shakespeare's works have been brought together and registered each in the proper place . GEBBIE & Co. Philadelphia , July 6 , 1889 . CONTENTS . LAGE THE TEMPEST Two GENTLEMEN OF VERONA MERRY vi PREFACE .
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... GENTLEMEN OF VERONA MERRY WIVES OF WINDSOR TWELFTH NIGHT MEASURE For Measure MUCH ADO ABOUT NOTHING MIDSUMMER - NIGHT'S DREAM LOVE'S LABOR'S LOST . MERCHANT OF VENICE 5 10 15 20 26 32 39 43 47 AS YOU LIKE IT . 55 • ALL'S WELL THAT ENDS ...
... GENTLEMEN OF VERONA MERRY WIVES OF WINDSOR TWELFTH NIGHT MEASURE For Measure MUCH ADO ABOUT NOTHING MIDSUMMER - NIGHT'S DREAM LOVE'S LABOR'S LOST . MERCHANT OF VENICE 5 10 15 20 26 32 39 43 47 AS YOU LIKE IT . 55 • ALL'S WELL THAT ENDS ...
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... GENTLEMEN OF VERONA . Act III . Scene I. 10 • MERRY WIVES OF WINDSOR . Act V. Scene V .. 15 • TWELFTH NIGHT . Act III . Scene IV . . 20 · MEASURE FOR MEASURE . Act III . Scene II . 26 . MUCH ADO ABOUT NOTHING . Act V. Scene IV . 32 ...
... GENTLEMEN OF VERONA . Act III . Scene I. 10 • MERRY WIVES OF WINDSOR . Act V. Scene V .. 15 • TWELFTH NIGHT . Act III . Scene IV . . 20 · MEASURE FOR MEASURE . Act III . Scene II . 26 . MUCH ADO ABOUT NOTHING . Act V. Scene IV . 32 ...
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... Gentlemen of Verona ' has been derived . The story of Proteus and Julia , in this play , closely corresponds with its prototype ; and in several passages the dramatist has copied the very language of the pastoral . The authenticity of ...
... Gentlemen of Verona ' has been derived . The story of Proteus and Julia , in this play , closely corresponds with its prototype ; and in several passages the dramatist has copied the very language of the pastoral . The authenticity of ...
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... GENTLEMEN OF VERONA . ACT III . SCENE I. Valentine detected by the Duke on the treacherous information of Proteus . The Two Gentlemen of Verona ' was not printed until.
... GENTLEMEN OF VERONA . ACT III . SCENE I. Valentine detected by the Duke on the treacherous information of Proteus . The Two Gentlemen of Verona ' was not printed until.
Outras edições - Ver tudo
A Compendium and Concordance of the Complete Works of Shakespeare: Also, an ... George A. Smith Visualização integral - 1889 |
A Compendium and Concordance of the Complete Works of Shakespeare. Also, an ... Smith George A Pré-visualização indisponível - 2016 |
A Compendium and Concordance of the Complete Works of Shakespeare: Also, an ... George A. Smith Pré-visualização indisponível - 2018 |
Palavras e frases frequentes
admirable afterwards Antony appears Attendants beauty brother Brutus Cæsar Capulet Cassius character Claudio Cleopatra COMPENDIUM Coriolanus crown Cymbeline daughter death disguise doth drama duke of Gloster duke of York earl Edward England Falstaff father fool France Gentlemen of Verona Hamlet hath heart heaven Helena Henry VI HISTORICAL SUMMARY honor husband Iago Imogen Julius Caesar King Henry IV King Henry VIII King John King Lear King Richard King Richard III lady LORD Love's Labor's Lost lover Macbeth madness Malone Margaret meantime Measure for Measure Merchant of Venice Merry Wives Messengers Midsummer-Night's Dream mistress monarch murder named nature noble Othello passion Pericles PERSONS REPRESENTED play poet Portia prince Proteus queen Romeo and Juliet says SCENE servant Shakespeare Shrew Soldiers SUMMARY OF KING supposed Tempest thee thou Timon Titus Andronicus tragedy Twelfth Night uncle Viola wife Wives of Windsor woman young
Passagens conhecidas
Página 214 - tis done, then 'twere well It were done quickly: If the assassination Could trammel up the consequence, and catch, 'With his surcease, success ; that but this blow Might be the be-all and the end-all here. But here, upon this bank and shoal of time, — We'd jump the life to come...
Página 232 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Página 222 - The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient merit of the unworthy takes When he himself might his quietus make With a bare bodkin?
Página 237 - Farewell the tranquil mind ! Farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war...
Página 216 - Macbeth does murder sleep, the innocent sleep ; Sleep, that knits up the ravelled sleave* of care, The death of each day's life, sore labor's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast ; — Lady M.
Página 214 - A combination and a form indeed, Where every god did seem to set his seal, To give the world assurance of a man.
Página 249 - Too old, by heaven : let still the woman take An elder than herself : so wears she to him, So sways she level in her husband's heart : For, boy, however we do praise ourselves, Our fancies are more giddy and unfirm, More longing, wavering, sooner lost and worn, Than women's are.
Página 240 - I have lived long enough : my way of life Is fall'n into the sear, the yellow leaf ; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Página 234 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.
Página 287 - tis strange : And oftentimes, to win us to our harm, The instruments of darkness tell us truths : Win -us with honest trifles, to betray us In deepest consequence.