Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth CenturyUniversity of Wisconsin Press, 2004 - 306 páginas Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. |
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... titled or referred to their works ( my focus here ) and the way critics or scholars later labeled them . For example , the Ler- montovskaia entsiklopediia states that Lermontov wrote thirty poemy ( Manuilov , 438 ) , while B. M. ...
... titled works " Elegiia , " possibly because they found the classical origins of the genre intimidating . Among the men poets we have been considering , Pushkin titled four poems " Elegiia , " Baratynsky six , Del'vig two , Lermontov two ...
... titled " Podrazhanie Anakreonu " ( A. S. Pushkin , Sobranie sochinenii [ Moskva : Khudozhestvennaia literatura , 1974 ] , 2 : 571 ) , which will be discussed in chapter 2 . See also K. V. Grossgeinrik [ Grossheinrich ] , " Elisaveta Kul ...
Índice
Social Conditions | 21 |
Literary Conventions | 38 |
Gender and Genre 57 8888888 | 57 |
Direitos de autor | |
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