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CATLIN'S NORTH AMERICAN INDIAN

GALLERY.-II.

MANDAN CHIEF.

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The next and second chief of the tribe, represented in the Engraving, is Mah-to-to-pah, (the four bears.) This extraordinary personage, though second in office, is, undoubtedly, the first and most popular man in the nation; on which account we have selected him for our illustration. "Free, generous, elegant and gentlemanly in his deportment-handsome, brave, and valiant; wearing a robe with the history of his battles emblazoned on it; which would fill a volume of themselves, if properly translated--this, readers, is the most extraordinary man, perhaps, who lives at this day, in the atmosphere of Nature's noblemen."

Catlin to his wigwam, and to have presented him with a Mah-to toh-pa appears to have hospitably invited Mr. beautiful garnished robe. After Mr. Catlin had painted this chief's portrait, he purchased the dress he wore, and every article of it can be seen in the Gallery in Piccadilly, hanging by the side of the picture. The vain chief was a long time" before he could leave his toilette" satisfied with his looks and equipments; and then it was announced Mah-to-toh-pa is coming in full dress!"

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WE return to Mr. Catlin's valuable and very interesting Letters and Notes, with a whole-length portrait from a strange people, among whom our artist and author found himself," surrounded by subjects and scenes worthy the pens of Irving or Cooper; or the pencils of Raphael or Hogarth; rich in legends and romances, which would require no aid of the imagination for a book or a picture." The Mandans, (or See-pohs-kah-nu-mah-kah-kee, " ple of the pheasants," as they call themselves,) are perhaps one of the most ancient tribes of the Indians. They contend that they were the first people created on earth: their existence in these regions has, undoubtedly, been from a very remote period, and they were formerly a very numerous and powerful nation; but continued wars with neighbouring tribes have astonishingly thinned their ranks. The Mandans are at present located on the west bank of the Missouri, about 1800 miles above St. Louis, and 200 below the mouth of Yellow Stone River. They have two locations only, and their number is stated but at 2000. "Their present villages," says Mr. Catlin, are beautifully located, and judiciously also, for defence against the assaults of their enemies. The site of the lower, (or principal) town in particular, is one of the most beautiful and pleasing that can be seen in the world, and even more beautiful than imagination could ever create. the very midst of an extensive valley, (embraced within a thousand graceful swells and parapets or mounds of interminable green, changing to blue as they vanish in distance,) is built the city or principal town of the Mandans. On an extensive plain, (which is covered with green turf, as well as the hills and dales, as far as the eye can possibly range, without tree or bush to be seen,) are to be perceived rising from the ground, and towards the heavens, "The Shirt was made of two skins of the mountain sheep, domes, not of gold,' but of dirt-and the thousand beautifully dressed, and sewed together by seams, which spears, not spires," and scalp-poles, of the semi-subter-rested upon the arms, one skin hanging in front, upon the raneous village of the hospitable and gentlemanly Man-breast, and the other falling down upon the back; the head dans.* "Their head chief is Ha-na-tah-nu-mauh, (the wolf-chief;) a haughty, austere, and overbearing man, respected and feared by his people, rather than loved. The tenure by which this man holds office is by inheritance as the eldest son of a chief. Still, this is not an infallible rule among the tribes of North American Indians; for unless the aspirant be worthy of the office, it is elective. The dress of the above chief was one of great extravagance, and some beauty; manufactured of skins, and a profusion of raven-quills; the latter forming a stylish head-dress.

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"I looked out of the door of the wigwam, (says Mr. Catlin,) and saw him approaching with a firm and elastic step, accom panied by a great crowd of women and children, who were gazing on him with admiration, and escorting him to my room. No tragedian ever trod the stage, nor gladiator ever entered the Roman Forum, with more grace and manly dignity, than did Mah-to-toh-pa enter the wigwam, where I was in readiness to receive him. He took his attitude before me, and with the sternness of a Brutus, and the stillness of a solitary stillness. His dress, which was a very splendid one, statue, he stood until the darkness of night broke upon the was complete in all its parts; and consisted of a shirt or tunic, leggings, mocassins, head-dress, necklace, shield, bow and quiver, lance, tobacco-sack, and pipe; robe, belt, and knife; medicine-bag, tomahawk, and war-club, or po-komo-kon.

being passed between them, and they falling over and resting on the shoulders. Across each shoulder, and somewhat in the form of an epaulette, was a beautiful band; and down porcupine quills worked on the dress, and covering the seams. each arm was a similar one, beautifully embroidered with To the lower edge of these bands were attached long locks of black hair, which he had taken with his own hand from the heads of his enemies, whom he had slain in battle. The front and back of the shirt were curiously garnished with porcupine-quills, and paintings of battles and victims. The bottom of the dress was bound or hemmed with ermine-skins, and tassels of ermines' tails were suspended from the legs

and shoulders.

"The Leggings, of beautifully dressed deer-skins, fitted tight to the leg, extended from the feet to the hips, and were fastened to a belt which was passed around the waist. These, like the shirt, were worked with a band of porcupine-quills of the richest dyes, passing down the seam on the outer part of the leg, and fringed also with scalp-locks. The Mocassins were of buck-skin, profusely embroidered with porcupinequills.

Traders and others, who have been amongst them, denominate them "the polite and friendly Mandans;" and from the diversity of their complexions, the various colours of their hair and eyes, singularity of language and customs, Mr. Catlin is convinced that they have sprung from some other origin than that of the other North American tribes, or that they are an amalgam of natives with some civilized race; whilst a stranger, on seeing them, is almost at once disposed to exclaim: "these are not Indians." "Their "The Head-dress, which was superb, and truly magnifi traditions," says Mr. Catlin, " so far as I have yet learned cent, consisted of a crest of war-eagles' quills, gracefully fallthem, afford no information of their having had any know-ing from the forehead over the back part of the head, and ledge of white men before the visit of Lewis and Clarke, made extending quite down to the feet; set the whole way in a to their village thirty-three years ago. Since that time, there profusion of ermine, and surmounted on the top of the head have been but very few visits from white men to this place, with the horns of the buffalo, shaved thin and highly polished. and surely not enough to have changed the complexions and customs of a nation. And I recollect perfectly well that Governor Clarke told me, before I started for this place, that I should find the Mandans a strange people, and half white." The Letters and accompanying Plates on this tribe are very attractive.

"The Necklace was made of fifty claws or nails of the grisly bear, ingeniously ranged over the skin of an otter, and worn, like the scalp-locks, as a trophy-as an evidence unquestionable, that he had contended with and overcome that desperate enemy in open combat.

"His Shield was made of the hide of the buffalo's neck,

and hardened with the glue that was taken from its hoofs; its boss was the skin of the pole-cat, and its edges were fringed with rows of eagles'-quills and hoofs of the antelope. "The Bow was of boue, and as white and beautiful as ivory; over its back was laid, and firmly attached to it, a coating of deers' sinews, which gave it elasticity. Its string was three-stranded and twisted of sinews, which many a time had twanged, and sent the whizzing death to animal and to human victims.

"The Quiver was made of a panther's skin, hung upon his back, charged with arrows, some poisoned; they were feathered with hawk and eagle quills; some were clean, innocent, and pure, and others were stained with animal and human blood, dried upon them. Their blades or points were of flints and some of steel; and altogether this was a deadly magazine.

"The Lance, or spear, was in his left hand its blade was two-edged and of polished steel, and the blood of several human victims was dried upon it; its shaft was of the toughest ash, and ornamented with tufts of war-eagles' quills.

"His Tobacco-sack was made of the skin of an otter, and tastefully garnished with quills of the porcupine; in it was carried his knick-k'neck, (the bark of the red willow, which is smoked as a substitute for tobacco); it contained also his flint and steel, and touch-wood for lighting.

"His Pipe, which was ingeniously carved out of the red steatite, (or soap-stone,) had a stem of ash, three feet long; about half its length was wound with delicate braids of porcupine quills, so ingeniously wrought as to represent figures of men and animals. It was also ornamented with the skins and beaks of wood peckers, and the hair of the white buffalo's tail. The lower half of the stem was painted red, and its edges bore the notches he had recorded for the snows (or years) of his life.

"His Robe was made of the skin of a young buffalo bull, with the fur on one side, and the other finely dressed; with all the battles of his life emblazoned on it by his own hand. His Belt was of stout buckskin, and was firmly girded around his waist; and in it were worn his tomahawk and scalping knife.

"His Medicine bag was of the skin of a beaver, curiously ornamented with hawks' bills and ermine. It was held in his right hand; and his war-club, made of a round stone, tied up in a piece of raw hide, and attached to the end of a stick, somewhat in the form of a sling, was laid, with other weapons, at his feet.

"Such was the dress of Mah-to-toh-pa when he entered my wigwam to stand for his picture: but such I have not entirely represented it in his portrait; having rejected such trappings and ornaments as interfered with the grace and simplicity of the figure. He was beautifully and extravagantly dressed; and in this he was not alone, for hundreds of others were equally elegant. In plumes, in arms, and ornaments, he is not singular; but in laurels and wreaths he stands unparalleled. His breast has been bared and scarred in defence of his country, and his brows crowned with honours that elevated him conspicuous above all of his nation. There is no man amongst the Mandans so generally loved, nor any one who wears a robe so justly famed and honourable as that of Mah-to-toli-pa.”

This chief presented Mr. Catlin with a beautiful robe, containing all the battles of his life, which he had spent two weeks in copying from the original robe, which he wore on his shoulders. This chart of his military life bangs in the Gallery, and is engraved in the work before us: it represents combats, war-horses, &c. The entire series is minutely described.

The following, is perhaps, one of the most extraordinary exploits of this remarkable man's life; it is well attested, and is represented on the robe. In a skirmish, near the Mandan village, when set upon by enemies, the Riccarees, the brother of Mah-to-toh-pa was missing for several days, when the chief Mah-to-toh-pa found the body shockingly mangled, with a spear left piercing the heart. This spear

"Let every

was recognized as belonging to a noted Riccaree, named Won-ga-tap; and Mah-to-toh-pa brandished it through the village, (with the blood of his brother dried on its blade,) crying most piteously, and swearing that he would some day revenge the death of his brother with the same weapon. He kept this spear in his wigwam for four years, without discovering the destroyer of his brother; when his indignant soul again burst forth in uncontrollable frenzy and fury; and brandishing it through the village, he again called loudly for revenge. Mandan," said he, " be silent, and let no one sound the name of Mah-to-toh-pa-let no one ask for him, nor where he is gone, until you hear him sound the war-cry in front of the village, when he will enter it, and show you the blood of Won-ga-tap. The blade of this lance shall drink the heart's blood of Won-ga-tap, or Mah-totoh-pa mingles his shadow with that of his brother." With this, he sallied forth, lance in hand, towards the Riccaree village; the Mandans not daring to speak till he had disappeared. He travelled 200 miles entirely alone, with a little parched corn in his pouch, searching by night, and lying secreted by day, until he reached the Riccaree village: there he mixed with the natives till late at night: then, through the rents of the wigwam, he watched his victim, as he retired to rest with his wife; and as the embers flickered out, he walked softly into the wigwam, and seated himself by the fire, over which was hanging a large pot, with cooked meat in it; and knowing that the light in the wigwam was not sufficient to disclose his features to his enemy, he deliberately turned to the pot, and from its contents satiated the desperate appetite, which he had got in a journey of six or seven days, with little or nothing to eat; and then as deliberately, he charged and lighted his enemy's pipe, (left by the fire,) and sent, (no doubt, in every whiff that he drew through its stem,) a prayer to the Great Spirit for a moment longer for the consummation of his design. While eating and smoking, the wife of his victim several times inquired of her husband, what man it was who was eating in their lodge? to which he as often replied: "It's no matter; let him eat, for he is probably hungry." Mah-to-toh-pa knew full well that his appearance would cause no other reply than this, from the dignitary of the nation; for by an invariable custom among these Northern Indians, any one who is hungry is allowed to walk into any man's lodge, and eat. As Mah-to-toh-pa took his last whiff, he stirred the embers with his toes, and by their light, seeing his way, he seized his lance, rose and darted it through the body of his enemy; then, snatching the scalp from his head, he darted from the lodge, and made for his prairie! The village was in an uproar, but no one knew the cause. Mah-to-toh-pa ran all night, and lay concealed during the day; thanking the Great Spirit for strengthening his heart and arm for this noble revenge; and praying fervently for protection til! he should reach his own village. This he did, on the sixth morning, at sunrise, amidst the shouts of the people; brandishing his lance, with the blood of his victim dried upon it, over that of his brother, and the scalp of Won-ga-tap suspended from its handle!

In the portrait is seen an eagle-quill balanced horizontally on the hilt of the lance, severed from its original position, and loose from the weapon. This the chief was anxious to have so painted by Mr. Catlin; and especially a spot of blood visible upon it. "That quill," said Mahto-toh-pa, is a great medicine! it belongs to the Great Spirit, and not to me-when I was running out of the lodge of Won-ga-tap, I looked back, and saw that quill hanging to the wound in his side; I ran back, and pulling it out, brought it home in my left hand, and I have kept it for the Great Spirit to this day!" " Why do you not let me

tie it on the lance again, whence it came off?" asked Mr. Catlin. "Hush," replied the chief, “if the Great Spirit had wished it to be tied on in that place, it never would have come off; he has been kind to me, and I will not offend him."

The end of this" noble gentleman" must be briefly told. When the Asiatic cholera swept over the greater part of the western country, and the Indian frontier, it destroyed the whole tribe of Mandans. Mah-to-toh-pa sat in his wigwam and watched every one of his family die about him-his wives and his little children, after he had recovered from the disease himself; then he walked out, around the village, and wept over the final destruction of his tribe; his braves and warriors, whose sinewy arms alone he could depend on for a continuance of their existence, all laid low; then he came back to his lodge, where he covered his whole family in a pile, with a number of robes, and wrapping another around himself, went out upon a hill at a little distance, where he lay several days, despite all the solicitations of the Traders, resolved to starve himself to death. He remained there till the sixth day, when he had just strength enough to creep back to the village, where he entered his own gloomy wigwam, and laying himself alongside the group of his family, drew his robe over him, and died on the ninth day of his fatal abstinence!

PET ANIMALS.

ONE often sees persons of rough natures and unfeeling hearts bestow extraordinary attention upon favourite animals. The French Revolutionists presented some extraordinary instances of this anomalous affection. Citizen Couthon, a Hercules in crime, fondled and invariably carried in his bosom, even to the Convention, a little spaniel, as a vent for the exuberant sensibilities which overflowed his affectionate heart. "This tenderness for some pet animal was, by no means, peculiar to Couthon; it seems rather a common fashion with the gentle butchers of the Revolution. M. George Duval informs us, (Souvenirs de la Terreur, vol. iii. p. 183,) that Chaumette had an aviary, to which he devoted his harmless leisure; the murderous Fournier carried on his shoulders, a pretty little spaniel, attached by a silver chain; Panis bestowed the simplicity of his affections upon two gold pheasants; and Marat, who would not abate one of the 300,000 heads he demanded, reared doves! Apropos of the spaniel of Couthon, Duval gives us an amusing anecdote of Serjent, not one of the least relentless agents of the massacre of September. A lady came to implore his protection for one of her relations confined in the Abbey. He scarcely deigned to speak to her. As she retired in despair, she trod by accident upon the paw of his favourite spaniel. Serjent, turning round, enraged and furious, exclaimed 66 Madam, have you no humanity!"-Zanoni.

ASSASSINATION OF GUSTAVUS III.
MARCH 16, 1792.

It is now just half a century since this tragic event was perpetrated at Stockholm, under circumstances of as extraordinary a character as any in the history of Europe, during the above period. It will, doubtless, be remembered by every one familiar with the details of the monarch's last moments, that he strictly forbade, for fifty years, the opening of the chest at Upsal, in which his papers were deposited: this injunction has been strictly observed, and the chest will now forthwith be opened, when it is expected there will be disclosed some curious facts connected with the fate of this versatile monarch.

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Meanwhile, as it is at all times both interesting and instructive to observe the deportment, in critical emergencies, of those who have played important parts in the transactions of the world, we subjoin the circumstances which led to the assassination, and the striking scene on the night the king was wounded; as they are related by Mr. Brown, in his Northern Courts.

Gustavus the Third was a memorable example of a king uniting himself with the democratic party, in order to oppose the encroachments of a powerful aristocracy, who, apprehending the loss of all their privileges by the increase of the royal prerogative, resolved upon the sovereign's death. Such, at least, is one statement of the circumstances which led to this event. In another view of the politics of the period, the catastrophe is shown to have been brought about by the pernicious effects of the French revolution. In the opening of that portentous event, the sentiments of the people of Sweden are represented to have been much at variance with those of their sovereign. "It was in vain," says Mr. Brown, "that, knowing his subjects to be a religious race, the king denounced the French to them as a nation of atheists;" the infection had spread too far, the cause of freedom had become too popular, and there cannot be a more damning proof of the dangerous nature of the doctrines which were afloat, than the statement which Mr. Brown subjoins as "the opinion of several officers of long standing and great experience in the Swedish service," that, "if the king had not been cut off by Ankarstrom, the very army he was assembling, with the view of invading France, in Normandy, and marching direct on Paris, would have hoisted the standard of revolt, and destroyed the monarch whom they once adored." The Swedish army, however, was saved, by the desperate resentment of Ankarstrom, from the eternal disgrace which would have fallen upon them, had this black act of treachery been consummated. A conspiracy was formed under the directions of Counts Horn and Ribbing, and Colonel Lilienhorn; and a nobleman, Ankarstrom, whom Gustavus had personally offended, undertook to murder him. Ankarstrom chose a masked ball, which was given at the opera-house, at Stockholm, on March 16, 1792, as the fittest opportunity for carrying his design into effect. The king was warned by some anonymous friend, but he went to the ball, and was pointed out to the assassin by Count Horn, who tapped him on the shoulder, and said, "Good evening, pretty mask." Upon this, Ankarstrom shot the king through the body from behind, and mingled with the crowd of masks; and the very interesting details of the scene which ensued are thus given by Mr. Brown, from a Swedish manuscript, which he considers authentic:—

The king's surgeons having examined the wound, and the direction in which the pistol had been fired, saw at once how small was the chance of their royal patient's recovery. During this operation, which was excruciatingly painful, the king displayed that intense fortitude which few mortals ever possessed in a higher degree. As the surgeon applied his probe, the king thought his hand shook; suppressing the sense of pain, he said, with a firm voice," Do not suffer your sorrow to affect your hand! Remember, sir, it is not possible I can survive if the balls are not extracted." The surgeon paused a moment, as if to collect all his courage, and extracted a ball and some slugs. On his way from his palace to the opera house, a few hours before, Gustavus stepped lightly down the

broad flights of granite stairs to the vestibule below. He

was now carried slowly back, stretched on a litter borne on the shoulders of grenadiers, whose slightest motion gave him inexpressible pain. Like the palace itself, the grand staircase is of stupendous dimensions. The massive balustrades are composed of polished marble; the broad steps of hewn granite, and the ornaments of colossal proportions, finely

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degree of eloquence in various discourses upon historical and philosophical subjects."*

The fate of Gustavus furnished, a few years since, the incidents of a very charming opera, composed by M. Auber, for the Academie Royale de Musique, at Paris; and subsequently performed, with extraordinary success, at our national theatres. It is worthy of remark, that this musical piece, terminating with the murder of a king, was produced for the French, who shudder at the deathscenes of our tragic drama. But this penchant, coupled with the aspect of the times, needs no further comment. }

POND.

a few of the ministers were clad in state dresses, and most of the courtiers and household officers still had on the fanciful robes worn at the fatal masquerade. This great diversity of splendid costume, the melancholy state of the king, stretched on the bier, lying on his side, his pale face resting on his right hand, his features expressive of pain subdued by fortitude, the varied countenances of the surrounding throng, wherein grief, consternation, and dismay, were forcibly depicted; the HOGARTH'S PAINTING OF ROSAMUND'S blaze of the numerous torches and flambeaux, borne aloft by the military; the glitter of burnished helmets, embroidered and spangled robes, mixed with the flashes of drawn sabres and fixed bayonets; the strong and condensed light thrown on the king's figure, countenance, litter, and surrounding group; the deep dark masses of shade that seemed to flitter high above, and far below the principal group, and the occasional illumination of the vast and magnificent outline of the structure, formed, on the whole, a spectacle more grand, im

pressive, and picturesque, than any state or theatrical proces ever been engaged. In the midst of excruciating agonies, his eyes lost not their brilliancy, and his finely expressive features displayed the triumph of fortitude over pain. Terrible and sudden as was this disaster, it did not deprive him of selfpossession; he seemed more affected by the tears that trickled down the hard yet softened features of the veterans who had fought by his side, than by the wound which too probably would soon end his life. As the bearers of the royal litter ascended from flight to flight, he raised his head, evidently to obtain a better view of the grand spectacle, of which he formed the principal and central object. When he arrived at the grand gallery level with the state apartments, he made a sign with his hand that the bearers should halt, and looking wistfully around him, he said to Baron Armfelt (who wept and sobbed aloud), "How strange it is I should rush upon my fate after the recent warnings I had received! My mind foreboded evil; I went reluctantly, impelled, as it were, by an invisible hand! I am fully persuaded, when a man's hour is come, it is in vain he strives to elude it!" After a short pause he continued, "Perhaps my hour is not yet arrived. I would willingly live, but am not afraid to die. If I survive, I may yet trip down these flights of steps again, and if I die-why then, enclosed in my coffin, my next descent will be on my road to the mausoleum in the Ridderholm church."-Vol. ii. p. 168.

sion, in the arrangement of which the tasteful Gustavus had

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The king died on March 29. His murderer was discovered and executed, and many of the conspirators were banished out of the country. It has been stated, that "in the character of Ankarstrom, and in his conduct during his last moments, a striking similarity may be traced to the wretched Bellingham (who assassinated Mr. Perceval, in 1812); the same fanatical satisfaction at the perpetration of the crime, the same presumptuous confidence of pardon from the Almighty." But this dreadful self-delusion is by no means peculiar to Sweden. Gustavus III. has been characterised as 66 a profligate though able monarch." By another writer he is described as "a prince of very distinguished talents; his original intentions were noble, but prosperity corrupted him, and it became his object to acquire despotic power. It is remarkable that this king, who, as a statesman, was so cool and self-possessed, was distinguished as a poet by his warmth of feeling and his fancy. He was the author of several highly dramatic works; and, in the Swedish academy, of which he was a member, he displayed a high

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(To the Editor.)

BY your notice of Ainsworth's Magazine, No. I., you do not appear to be aware that the vignette of Rosamund's Pond, St. James's Park, illustrating the editor's tale of The Miser's Daughter, is not the original work of Cruikshank, as you state, but a copy of a large picture by Hogarth, painted about the year 1740. have seen the picture, which is the property of H. R. Willett, Esq. of Merly House, Dorsetshire, named at page 46 of your Journal as the possessor of the originals of the Marriagea-la-Mode, and of the finest collection of Hogarth's works. The picture of Rosamund's Pond was engraved for Mr. Willett, a few years since, when only 100 impressions were taken, but not one of them was published. Hogarth also painted a smaller view of Rosamund's Pond, of a cabinet size, likewise in the collection of Mr. Willett, who has the receipt for 11. 7s. (the sum charged by the painter,) in the hand-writing of Mrs. Hogarth. This book for several of Hogarth's plates, with the autographs liberal patron of the arts also possesses the subscriptionof many of the subscribers, who are mostly distinguished personages. The subscriptions for the plate of Tancred and Sigismunda appear to have been returned by Hogarth, as the print was never published: a strong line is passed through the names, and opposite each is written "Returned," &c.; against one name is "Refused." This account-book is a treasure in its way, and is, therefore, kept in a case, locked.

I think it but just to the genius of Hogarth to point out to you the above circumstance, respecting the picture of Rosamund's Pond, as Mr. Cruikshank's usual autographic initials are appended to the wood-cut, and may lead many persons to suppose it to be his composition. I first saw the Engraving in that little compilation, The Mirror; and on comparison, I found it to be the same block as that in Ainsworth's Magazine: the copy is too close not to be instantly recognized by those who are familiar with the original picture.

Sturminster, Dorset.

AN ADMIRER OF HOGARTH.

EARTHQUAKES IN LONDON.

AN absurd report is gaining ground among the weakminded, that London will be destroyed by an Earthquake on the 17th of March, or St. Patrick's Day. This rumour is founded on the following ancient prophecies-one professing to be pronounced in the year 1203; the other by Dr. Dee, the astrologer, in 1598:

"In eighteen hundred and forty-two
Four things the sun shall view:
London's rich and famous town
Hungry earth shall swallow down;

Popelt, Gustav. III. von Schweden: Penny Cyclopædia.

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