Shakespeare as a Dramatic Artist: With an Account of His Reputation at Various PeriodsC. Scribner's Sons, 1901 - 449 páginas |
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... His Reputation at Various Periods Thomas R. Lounsbury. 12-43133.9 B HARVARDIAN VE RI TAS CCLESIA NONOVIANG Harvard College Library FROM Yale University Pale Bicentennial Publications SHAKESPEAREAN WARS I. Pale Bicentennial Publications ...
... His Reputation at Various Periods Thomas R. Lounsbury. 12-43133.9 B HARVARDIAN VE RI TAS CCLESIA NONOVIANG Harvard College Library FROM Yale University Pale Bicentennial Publications SHAKESPEAREAN WARS I. Pale Bicentennial Publications ...
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With an Account of His Reputation at Various Periods Thomas R. Lounsbury. ¦ 1 Pale Bicentennial Publications SHAKESPEAREAN WARS I. • Pale Bicentennial Publications.
With an Account of His Reputation at Various Periods Thomas R. Lounsbury. ¦ 1 Pale Bicentennial Publications SHAKESPEAREAN WARS I. • Pale Bicentennial Publications.
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With an Account of His Reputation at Various Periods Thomas R. Lounsbury. Pale Bicentennial Publications SHAKESPEAREAN WARS I. Pale Bicentennial Publications With the approval of the President and.
With an Account of His Reputation at Various Periods Thomas R. Lounsbury. Pale Bicentennial Publications SHAKESPEAREAN WARS I. Pale Bicentennial Publications With the approval of the President and.
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... BY THOMAS R. LOUNSBURY , L.H.D. , LL.D. Professor of English in Yale University NEW YORK : CHARLES SCRIBNER'S SONS LONDON : EDWARD ARNOLD 1901 SHAKESPEARE AS A DRAMATIC ARTIST WITH AN ACCOUNT OF HIS SHAKESPEAREAN WARS.
... BY THOMAS R. LOUNSBURY , L.H.D. , LL.D. Professor of English in Yale University NEW YORK : CHARLES SCRIBNER'S SONS LONDON : EDWARD ARNOLD 1901 SHAKESPEARE AS A DRAMATIC ARTIST WITH AN ACCOUNT OF HIS SHAKESPEAREAN WARS.
Outras edições - Ver tudo
Shakespeare as a Dramatic Artist: With an Account of His Reputation at ... Thomas Raynesford Lounsbury Visualização integral - 1908 |
Shakespeare as a Dramatic Artist: With an Account of His Reputation at ... Thomas R. Lounsbury Visualização integral - 1901 |
Shakespeare as a Dramatic Artist: With an Account of His Reputation at ... Thomas Raynesford Lounsbury Visualização integral - 1908 |
Palavras e frases frequentes
absurd acted action admiration affected alteration ancient appeared Aristotle asserted audience belief Ben Jonson blank verse brought Castle of Otranto Catiline censure character chorus classical classicists comedy comic conform consequence contemporaries controversy Coriolanus course criticism Dennis disregard doctrine drama dramatist Drury Lane Dryden eighteenth century Elizabethan English stage Essay exhibited expressed fact faults favor feelings followed French frequently Furthermore Garrick genius Gildon Greek Hamlet humorous influence instance Jonson Julius Cæsar later Lear less literature Macbeth matter modern moral nature never observe the unities occasionally opinion Othello particular passion period persons piece play playwrights poet poetic justice poetry practice preface prevailed produced prologue propriety regard remarks representation represented reputation Restoration rules ryme Rymer scenes Sejanus Shake Shakespeare sort Spanish Tragedy speare success taken taste theatre things tion Titus Andronicus tragedy tragi-comedy tragic true truth violation Volpone Voltaire words writer wrote
Passagens conhecidas
Página 308 - In sooth, I know not why I am so sad : It wearies me ; you say it wearies you ; But how I caught it, found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn ; And such a want-wit sadness makes of me. That I have much ado to know myself.
Página 299 - It was the lark, the herald of the morn, No nightingale ; look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
Página 108 - THE stage is more beholding to love than the life of man. For as to the stage, love is ever matter of comedies, and now and then of tragedies ; but in life it doth much mischief — sometimes like a siren, sometimes like a fury.
Página 47 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Página 141 - But besides these gross absurdities, how all their plays be neither right tragedies, nor right comedies, mingling kings and clowns, not because the matter so carrieth it, but thrust in clowns by head and shoulders, to play a part in majestical matters, with neither decency nor discretion, so as neither the admiration and commiseration, nor the right sportfulness, is by their mongrel tragi-comedy obtained.
Página 243 - Their plays are now the most pleasant and frequent entertainments of the stage ; two of theirs being acted through the year for one of Shakespeare's or Jonson's...
Página 23 - First, if it be objected, that what I publish is no true poem, in the strict laws of time, I confess it : as also in the want of a proper chorus ; whose habit and moods are such and so difficult, as not any, whom I have seen, since the ancients, no, not they who have most presently affected laws, have yet come in the way of.
Página 20 - As he dare serve th' ill customs of the age, Or purchase your delight at such a rate, As for it he himself must justly hate; — To make a child, now swaddled, to proceed Man, and then shoot up, in one beard and...
Página 397 - Some Reflections on Mr Rymer's Short View of Tragedy, and an Attempt at a Vindication of Shakespear, in an Essay directed to John Dryden, Esq.