The music, or melody of rhythmus of language |
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Índice
Quantity what its use in Syllables Cadences and Pauses | 8 |
Grand distinction of Emphasis into Thesis and ARSIS | 14 |
Thesis and Arsis overlooked or misunderstood by | 16 |
Difference between Scanning and Reading the Classics | 22 |
Lengths of Poetic lines no necessary part of Rhythmus | 28 |
Cadence what and how divided | 29 |
English Sapphics Triple Time | 35 |
Accurate knowledge of Syllables how necessary | 41 |
The Ten Commandments | 165 |
A Hymn | 171 |
The Dying Christian to his Soul with Pauses Emphases | 178 |
The Scale of Reading | 180 |
Azims Entry to the Palace of Mokanna | 187 |
Medoras Song Byron | 193 |
Monody on the Princess Charlotte of Wales Campbell | 199 |
The Spirit of Music Moores Lalla Rookk | 205 |
Cadences of Prose and Verse marked | 47 |
Various passages selected as Exercises to be marked with | 78 |
Exercises to be marked with Thesis and Arsis Pause | 85 |
Exercises to be marked with Thesis and Arsis Bars or | 111 |
Exercises to be marked with all the Accidents of Speech | 128 |
Exercises on the preceding rules | 137 |
Sacred Pieces in Prose and Verse | 152 |
Habakkuk Chap 3d | 159 |
Satans Soliloquy Ibid | 214 |
Adam and Eves Morning Hymn Milton | 221 |
The comparative Merit of Homer and Virgil Ibid | 228 |
Sense Taste and Genius distinguished Usher | 230 |
The Patriot Soldier Doyle | 236 |
Pulteney on reducing the Army 288 | 243 |
Outras edições - Ver tudo
The Music, Or Melody and Rhythmus of the English Language: In which are ... Rev. James Chapman Visualização integral - 1819 |
The Music, Or Melody and Rhythmus of the English Language: In which are ... Rev. James Chapman Visualização integral - 1819 |
Palavras e frases frequentes
accent according affections applied army Arsis attend authority beauty breath cadence called CHAPTER common complete death earth emphasis English equal example expression eyes fall fathers feel feet five force give grace grave Greek hand hear heard heart heaven heavy hope iambus important land language length less light living Lord manner mark means measure metre mind mode nature never night notes o'er organs pauses poetry pronounce proper prose prosodians prosody pulsation quantity reason rest rhythmus rise rules scan sense shades short sing soft song soul sound speaking speech spirit spondee stand step sweet syllables teach thee Thesis thing thou thought tion variety verse virtue voice wave whole
Passagens conhecidas
Página 221 - These are thy glorious works, Parent of good, Almighty, thine this universal frame, Thus wondrous fair ; thyself how wondrous then ! Unspeakable, who sitt'st above these heavens, To us invisible, or dimly seen In these thy lowest works; yet these declare Thy goodness beyond thought, and power divine.
Página 224 - Works in the secret deep ; shoots, steaming, thence The fair profusion that o'erspreads the Spring ; Flings from the Sun direct the flaming day; Feeds every creature ; hurls the tempest forth ; And, as on earth this grateful change revolves. With transport touches all the springs of life. Nature, attend : join every living soul, Beneath the spacious temple of the sky, In adoration join ; and ardent raise One general song.
Página 110 - midst its dreary dells, Whose walls more awful nod By thy religious gleams. Or if chill blustering winds, or driving rain, Prevent my willing feet, be mine the hut, That from the mountain's side, Views wilds, and swelling floods, And hamlets brown, and dim-discovered spires, And hears their simple bell, and marks o'er all Thy dewy fingers draw The gradual dusky veil.
Página 185 - Gul* in her bloom ; Where the citron and olive are fairest of fruit, And the voice of the nightingale never is mute : Where the tints of the earth, and the hues of the sky, In...
Página 209 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself. I was born free as Caesar ; so were you : We both have fed as well, and we can both Endure the winter's cold as well as he...
Página 109 - O'erhang his wavy bed: Now air is hush'd, save where the weak-eyed bat With short shrill shriek flits by on leathern wing, Or where the beetle winds His small but sullen horn, As oft he rises, 'midst the twilight path Against the pilgrim borne in heedless hum...
Página 136 - Our bruised arms hung up for monuments; Our stern alarums changed to merry meetings, Our dreadful marches to delightful measures. Grim-visaged war hath smooth'd his wrinkled front; And now, instead of mounting barbed steeds To fright the souls of fearful adversaries, He capers nimbly in a lady's chamber To the lascivious pleasing of a lute...
Página 184 - KNOW ye the land where the cypress and myrtle Are emblems of deeds that are done in their clime? Where the rage of the vulture, the love of the turtle, Now melt into sorrow, now madden to crime...
Página 118 - He was a scholar, and a ripe, and good one; Exceeding wise, fair spoken, and persuading : Lofty, and sour, to them that lov'd him not; But, to those men that sought him, sweet as summer.
Informação bibliográfica
| Título | The music, or melody of rhythmus of language Volume 28 de Anglistica and Americana |
| Autor | James Chapman |
| Editora | Georg Olms Verlag, 1972 |
| ISBN | 3487402467, 9783487402468 |
| Número de páginas | 250 páginas |
| Exportar citação | BiBTeX EndNote RefMan |