Gothic ShakespearesJohn Drakakis, Dale Townshend Routledge, 01/12/2008 - 261 páginas Readings of Shakespeare were both influenced by and influential in the rise of Gothic forms in literature and culture from the late eighteenth century onwards. Shakespeare’s plays are full of ghosts, suspense, fear-inducing moments and cultural anxieties which many writers in the Gothic mode have since emulated, adapted and appropriated. The contributors to this volume consider:
In Gothic Shakespeares, Shakespeare is considered alongside major Gothic texts and writers – from Horace Walpole, Ann Radcliffe, Matthew Lewis and Mary Shelley, up to and including contemporary Gothic fiction and horror film. This volume offers a highly original and truly provocative account of Gothic reformulations of Shakespeare, and Shakespeare’s significance to the Gothic. Contributors include: Fred Botting, Elizabeth Bronfen, Glennis Byron, Sue Chaplin, Steven Craig, John Drakakis, Michael Gamer, Jerrold Hogle, Peter Hutchings, Robert Miles, Dale Townshend, Scott Wilson and Angela Wright. |
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... Night the art of patientlyconcealing anxiety inthe face of frustration. By late 1817, drawing attention to Shakespearean quotations— an offshoot of the editions of Rowe (1709) and Pope (1725) – had grown into a more extended practice of ...
... Night oraDiscourse of Apparitions (1594), and are much closer tothe ethos of'Gothic' fictionthanto amore accurately historical sense of theGothic. They are not too far removed from the violent ethos of the only Shakespeare play to deal ...
... Othello,Measurefor Measure, Macbeth and The Tempest,although other playssuch asthe Henry VI plays, KingJohn, TheTwo Gentlemen of Verona, AsYouLike It and Twelfth Night also provided sources of quotation. But Coleridge's.
John Drakakis, Dale Townshend. and Twelfth Night also provided sources of quotation. But Coleridge's allegation of 'plagiarism' levelled against Maturin raises a series of questions about theuseof Shakespearean (and in this case, Milton ...
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