The Artistry of Shakespeare's ProseRoutledge, 13/09/2013 - 464 páginas First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... Clown to Character 4 The World of Falstaff 5 Gay Comedy 6 Two Tragic Heroes 7 Serious Comedy 8 Tragic Prose: Clowns, Villians, Madmen 9 The Return of Comedy Conclusion Notes Index For my parents Chapter 1 Shakespeare's Use of Prose DOI:
... Clown to Character 4 The World of Falstaff 5 Gay Comedy 6 Two Tragic Heroes 7 Serious Comedy 8 Tragic Prose: Clowns, Villians, Madmen 9 The Return of Comedy Conclusion Notes Index For my parents Chapter 1 Shakespeare's Use of Prose DOI:
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... clown scenes, but in fact prose occupies roughly a quarter of the whole in Hamlet, Lear, Timon of Athens and Coriolanus, while its importance for Mercutio or Iago bulks far larger than the statistics would suggest. To mention these two ...
... clown scenes, but in fact prose occupies roughly a quarter of the whole in Hamlet, Lear, Timon of Athens and Coriolanus, while its importance for Mercutio or Iago bulks far larger than the statistics would suggest. To mention these two ...
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... clowns. And if sometimes of restricted value, in other plays the study of the prose will reveal a central aspect of ... clowns – this is so in Shakespeare for most of the time, though many of his noblemen speak prose too (the categories ...
... clowns. And if sometimes of restricted value, in other plays the study of the prose will reveal a central aspect of ... clowns – this is so in Shakespeare for most of the time, though many of his noblemen speak prose too (the categories ...
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... clown par excellence is occasionally given verse – but only to mock it (Crane, p. 5). In the drinking-scene in ... clown-servant to prose, on part-social part-intellectual grounds, is seen in them all, as is the normal convention for ...
... clown par excellence is occasionally given verse – but only to mock it (Crane, p. 5). In the drinking-scene in ... clown-servant to prose, on part-social part-intellectual grounds, is seen in them all, as is the normal convention for ...
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... clown reduces the medium to prose in a scene in which the courtezan arrives (IV, iii, 12 ff.). Here, however, we see a more consistent piece of decorum: the courtezan speaks verse throughout, while both Antipholus and Dromio speak prose ...
... clown reduces the medium to prose in a scene in which the courtezan arrives (IV, iii, 12 ff.). Here, however, we see a more consistent piece of decorum: the courtezan speaks verse throughout, while both Antipholus and Dromio speak prose ...
Índice
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Palavras e frases frequentes
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty