The Artistry of Shakespeare's ProseRoutledge, 13/09/2013 - 464 páginas First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... style since this movement than there was before it, and the lasting work that has been done has occurred outside the movement.1 For these critics (and I refer to the work of Wilson Knight, L. C. Knights, D. A. Traversi, J. F. Danby and ...
... style since this movement than there was before it, and the lasting work that has been done has occurred outside the movement.1 For these critics (and I refer to the work of Wilson Knight, L. C. Knights, D. A. Traversi, J. F. Danby and ...
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... styles of acting, the role of imagination, the nature of illusion – these discussions hardly constitute a 'theme' in ... style in the context of drama. Shakespeare's plays are not 'dramatic poems' but 'poetic dramas', and although that ...
... styles of acting, the role of imagination, the nature of illusion – these discussions hardly constitute a 'theme' in ... style in the context of drama. Shakespeare's plays are not 'dramatic poems' but 'poetic dramas', and although that ...
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... style must try to relate these and such other factors as 'setting, characters, dialogue, action and theme', to the language of the plays. Shakespeare's language is an increasingly subtle medium for reflecting the differences and ...
... style must try to relate these and such other factors as 'setting, characters, dialogue, action and theme', to the language of the plays. Shakespeare's language is an increasingly subtle medium for reflecting the differences and ...
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... style given the enormous pressure of their repertory system, and would thus seem to have employed a more stylized delivery for verse and a more relaxed one for prose. 7 A confirming detail for this deduction comes from Marston's ...
... style given the enormous pressure of their repertory system, and would thus seem to have employed a more stylized delivery for verse and a more relaxed one for prose. 7 A confirming detail for this deduction comes from Marston's ...
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... ). In this example prose is a kind of springboard, from which verse attains greater power and resonance, a sensitive use of style typical of the intelligent application of prose in this play. In the two other early comedies not.
... ). In this example prose is a kind of springboard, from which verse attains greater power and resonance, a sensitive use of style typical of the intelligent application of prose in this play. In the two other early comedies not.
Índice
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Palavras e frases frequentes
abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty