The Artistry of Shakespeare's ProseRoutledge, 13/09/2013 - 464 páginas First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... symmetries. All these rhetorical structures (and many others) are used with fertile invention throughout Shakespeare's plays, endlessly adapted to character, situation and mood. It may be useful to give a demonstration of some of these ...
... symmetries. All these rhetorical structures (and many others) are used with fertile invention throughout Shakespeare's plays, endlessly adapted to character, situation and mood. It may be useful to give a demonstration of some of these ...
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... post-classical Latin, J. P. Schneider and M. W. Croll have shown their presence in early and medieval English, and William Ringler has found very suggestive proto21 Euphuistic symmetries in a Latin style famous in Elizabethan Oxford.
... post-classical Latin, J. P. Schneider and M. W. Croll have shown their presence in early and medieval English, and William Ringler has found very suggestive proto21 Euphuistic symmetries in a Latin style famous in Elizabethan Oxford.
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Brian Vickers. 21 Euphuistic symmetries in a Latin style famous in Elizabethan Oxford. In sixteenthcentury English prose much syntactical symmetry will be found at all levels, from Sir Thomas More to Elyot, and from Hooker to Gabriel ...
Brian Vickers. 21 Euphuistic symmetries in a Latin style famous in Elizabethan Oxford. In sixteenthcentury English prose much syntactical symmetry will be found at all levels, from Sir Thomas More to Elyot, and from Hooker to Gabriel ...
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... symmetries of all the writers influenced by Euphuism – Greene, Lodge, Deloney, John Dickenson, Barnaby Rich, Brian Melbancke, and others. But the rival tradition to Euphuism, Arcadianism, is equally given to balance and symmetry ...
... symmetries of all the writers influenced by Euphuism – Greene, Lodge, Deloney, John Dickenson, Barnaby Rich, Brian Melbancke, and others. But the rival tradition to Euphuism, Arcadianism, is equally given to balance and symmetry ...
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... symmetries in individual speeches. As Shakespeare develops we will see how this technique of rhetorical syntax is more closely allied to character and situation, but in the early plays its role is predictably simple. I do not want to ...
... symmetries in individual speeches. As Shakespeare develops we will see how this technique of rhetorical syntax is more closely allied to character and situation, but in the early plays its role is predictably simple. I do not want to ...
Índice
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Palavras e frases frequentes
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