The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 14
... James's literary theories , then , is not moral intention , but rather constant speculation about the aesthetic bases of the art of narrative . This is not to say that James is indif- ferent to morality or reality . But in his search ...
... James's literary theories , then , is not moral intention , but rather constant speculation about the aesthetic bases of the art of narrative . This is not to say that James is indif- ferent to morality or reality . But in his search ...
Página 363
... James to have been conscious of the corruption - of - the - children intention , unconscious of the hallucinated- governess intention : " The recent publication of Henry James's note- books seems . . . to make it quite plain that James's ...
... James to have been conscious of the corruption - of - the - children intention , unconscious of the hallucinated- governess intention : " The recent publication of Henry James's note- books seems . . . to make it quite plain that James's ...
Página 372
... James , an author unusually analytical and self - conscious , the question is not silly . It hap- pens also , in this instance , to be particularly relevant , because James's_con- sciousness of what he was doing , or of part of what he ...
... James , an author unusually analytical and self - conscious , the question is not silly . It hap- pens also , in this instance , to be particularly relevant , because James's_con- sciousness of what he was doing , or of part of what he ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |