The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 14
... artistic expression when such a method is used and such enlargement occurs . While James is of course concerned in his fiction with the concrete particularity of hu- man life , as an artist he is obsessed with the abstract truths of ...
... artistic expression when such a method is used and such enlargement occurs . While James is of course concerned in his fiction with the concrete particularity of hu- man life , as an artist he is obsessed with the abstract truths of ...
Página 110
... artist sets forth the image in immediate rela- tion to others . ( 6 March 1903 ) • Over against these broad ... artist and the artistic experience . The kinds of art are determined by the relationship between the artist and the image ...
... artist sets forth the image in immediate rela- tion to others . ( 6 March 1903 ) • Over against these broad ... artist and the artistic experience . The kinds of art are determined by the relationship between the artist and the image ...
Página 325
... artist as a young man executed by the artist himself when a slightly older man , and it is an easy temptation to read the novel as an experiment in autobiography written in the third person - in which case its value will consist largely ...
... artist as a young man executed by the artist himself when a slightly older man , and it is an easy temptation to read the novel as an experiment in autobiography written in the third person - in which case its value will consist largely ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |