The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
No interior do livro
Resultados 1-3 de 42
Página 41
... beginning of the fabula , the first part of the chrono- logically ordered sequence of motifs as reconstructed by the reader ; but it is not necessarily located at the beginning of the sujet . The be- ginning of the fabula coincides with ...
... beginning of the fabula , the first part of the chrono- logically ordered sequence of motifs as reconstructed by the reader ; but it is not necessarily located at the beginning of the sujet . The be- ginning of the fabula coincides with ...
Página 49
... beginning of the ac- tion proper . This " occasion , " the text strongly suggests , is the first to have been ... beginning of some- thing very important " ( chap . 3 ) ; and he later intrudes upon this scene in order to point out again ...
... beginning of the ac- tion proper . This " occasion , " the text strongly suggests , is the first to have been ... beginning of some- thing very important " ( chap . 3 ) ; and he later intrudes upon this scene in order to point out again ...
Página 63
... beginning of the fictive present , while the rest of the work succeeds it both chronologically and structurally . Whenever the author refrains from opening his work with a block of preliminary exposition , he considerably reduces the ...
... beginning of the fictive present , while the rest of the work succeeds it both chronologically and structurally . Whenever the author refrains from opening his work with a block of preliminary exposition , he considerably reduces the ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |