The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 41
... definition re- lated to the order of presentation of motifs ; and it is accordingly in terms of the distinction between ... defined exposition as the beginning or first part of the fabula . This definition , however , though it firmly ...
... definition re- lated to the order of presentation of motifs ; and it is accordingly in terms of the distinction between ... defined exposition as the beginning or first part of the fabula . This definition , however , though it firmly ...
Página 243
... definition becomes so simplified that almost any work can fit it . David Lodge , for example , has recently defined real- ism comfortably as a literary mode that " treats fictional events as if they were a kind of history , or to denote ...
... definition becomes so simplified that almost any work can fit it . David Lodge , for example , has recently defined real- ism comfortably as a literary mode that " treats fictional events as if they were a kind of history , or to denote ...
Página 258
... defined only by Lukács ' own sense of relevance or " reality " ( a criterion on which , it is true , such perceptive criticism as Matthew Arnold's has sometimes been based ) . A second prevalent concept of " realism , " typified by ...
... defined only by Lukács ' own sense of relevance or " reality " ( a criterion on which , it is true , such perceptive criticism as Matthew Arnold's has sometimes been based ) . A second prevalent concept of " realism , " typified by ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
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Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |