The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 119
... experience of the various traditional genres comes into play . But finally , when our experience of the different parts and their relation- ship is fused into a single image , the unique meaning of the work stands forth in individual ...
... experience of the various traditional genres comes into play . But finally , when our experience of the different parts and their relation- ship is fused into a single image , the unique meaning of the work stands forth in individual ...
Página 239
... experience into mind and feeling . 9a . There is no such thing as raw experience , since that implies some kind of experience undisturbed and unmodified by mind or feeling . 9b . Fictional language differs from non - fictional rather in ...
... experience into mind and feeling . 9a . There is no such thing as raw experience , since that implies some kind of experience undisturbed and unmodified by mind or feeling . 9b . Fictional language differs from non - fictional rather in ...
Página 384
... experience , and he sees literature as the best realization of that experience . In opposition to Structuralism , Poulet recommends the critical neglect of ordinary formal objects of scrutiny such as diction and syntax ; what he as ...
... experience , and he sees literature as the best realization of that experience . In opposition to Structuralism , Poulet recommends the critical neglect of ordinary formal objects of scrutiny such as diction and syntax ; what he as ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |