The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 40
... fabula conclusion no . 1 : possible with fabula correspondence with other with story and with fabula plot , rarely with sujet rarely with fabula concepts conclusion no . 2 : necessary correspondence with other concepts To conclude , the ...
... fabula conclusion no . 1 : possible with fabula correspondence with other with story and with fabula plot , rarely with sujet rarely with fabula concepts conclusion no . 2 : necessary correspondence with other concepts To conclude , the ...
Página 41
... fabula " -the same aggregate of motifs , reassembled in a chronological - causal sequence and considered from the viewpoint of its amenability to various artistic dislocations . The critic's having at his disposal eight terms instead of ...
... fabula " -the same aggregate of motifs , reassembled in a chronological - causal sequence and considered from the viewpoint of its amenability to various artistic dislocations . The critic's having at his disposal eight terms instead of ...
Página 68
... fabula . This additional condition seems to me gratuitous , since the distinction between fabula and sujet is designed to dif- ferentiate not between linkages but between the logical - chronological se- quence in which the motifs might ...
... fabula . This additional condition seems to me gratuitous , since the distinction between fabula and sujet is designed to dif- ferentiate not between linkages but between the logical - chronological se- quence in which the motifs might ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |