The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 33
... fact , however , the exposition is not concentrated within the limits of the first act and only a small part of it precedes the im- pelling moment . Most of the expositional material is widely distrib- uted : one important aspect of ...
... fact , however , the exposition is not concentrated within the limits of the first act and only a small part of it precedes the im- pelling moment . Most of the expositional material is widely distrib- uted : one important aspect of ...
Página 47
... fact that what is conventionally re- garded as trivial can be contextually invested with artistic importance by extensive treatment . Laurence Sterne , for instance , displays his acute awareness of the functionality of his seemingly ...
... fact that what is conventionally re- garded as trivial can be contextually invested with artistic importance by extensive treatment . Laurence Sterne , for instance , displays his acute awareness of the functionality of his seemingly ...
Página 189
... fact still remains unperceived in some quarters ) , it is because for a century or more many of the chief practitioners of the genre - and an influential group of critics as well - managed to forget that at its most authentic the novel ...
... fact still remains unperceived in some quarters ) , it is because for a century or more many of the chief practitioners of the genre - and an influential group of critics as well - managed to forget that at its most authentic the novel ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |