The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 186
... feeling , as a camera possesses no feeling , and captures only what the lens sees . It is the person looking at the picture who will have the feeling . The photographer may have had feelings , but they are immersed and dissolved in the ...
... feeling , as a camera possesses no feeling , and captures only what the lens sees . It is the person looking at the picture who will have the feeling . The photographer may have had feelings , but they are immersed and dissolved in the ...
Página 239
... feelings and perceptions tend to take the most formally recognizable shapes . In Frye's convincing paradoxical ... feeling . 9b . Fictional language differs from non - fictional rather in the degree to which engagement imposes ...
... feelings and perceptions tend to take the most formally recognizable shapes . In Frye's convincing paradoxical ... feeling . 9b . Fictional language differs from non - fictional rather in the degree to which engagement imposes ...
Página 302
... feeling for things . They express an awareness that cannot be fully articulated . In short , whatever revelation Conrad has given as to the nature of man's soul and of his plight is finally a matter of tone . As for Bennett - he worked ...
... feeling for things . They express an awareness that cannot be fully articulated . In short , whatever revelation Conrad has given as to the nature of man's soul and of his plight is finally a matter of tone . As for Bennett - he worked ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
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Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |