The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 165
... lives in a very different kind of narrative , in which events and characters are doubled ; in which objects - including a famous tomato - are described in hallucinated detail but have at best very obscure hermeneutic rele- vance ; and ...
... lives in a very different kind of narrative , in which events and characters are doubled ; in which objects - including a famous tomato - are described in hallucinated detail but have at best very obscure hermeneutic rele- vance ; and ...
Página 167
... live our lives in these cross - currents of past and present . It was for this reason that he felt obliged to abandon the simplicities of May , when he set down what happened in October , in favor of the detective - story writer's ...
... live our lives in these cross - currents of past and present . It was for this reason that he felt obliged to abandon the simplicities of May , when he set down what happened in October , in favor of the detective - story writer's ...
Página 204
... live lives more like those of Indians than of their fathers or grandfathers . Unlike our ancestors dumping tea , they have resolved to play Indian not just temporarily for one crucial night , but full time for a substan- tial portion of ...
... live lives more like those of Indians than of their fathers or grandfathers . Unlike our ancestors dumping tea , they have resolved to play Indian not just temporarily for one crucial night , but full time for a substan- tial portion of ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |