The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 79
... mode used by Swift , Voltaire , and Mark Twain , to name three at random , is hardly to be discounted . ) Comedy , tragedy , and satire , then , are not forms of literature or genres , but formulations of modes of thought , attitudes ...
... mode used by Swift , Voltaire , and Mark Twain , to name three at random , is hardly to be discounted . ) Comedy , tragedy , and satire , then , are not forms of literature or genres , but formulations of modes of thought , attitudes ...
Página 246
... mode , partly a self - conscious literary extension of other , higher forms . Foregoing the disguise of truth for the dignity of authorship and the pleasures of entertainment , Fielding took as his subject Human Nature and represented ...
... mode , partly a self - conscious literary extension of other , higher forms . Foregoing the disguise of truth for the dignity of authorship and the pleasures of entertainment , Fielding took as his subject Human Nature and represented ...
Página 310
... mode . We can make two critical judgments of this tonal swing , but neither is wholly satisfactory . If we call it a failure , we risk the ped- antry of going by rule in a somewhat Rymeresque way , and of ignor- ing a considerable ...
... mode . We can make two critical judgments of this tonal swing , but neither is wholly satisfactory . If we call it a failure , we risk the ped- antry of going by rule in a somewhat Rymeresque way , and of ignor- ing a considerable ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |