The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 52
... objective elements or factors in the text itself that give rise to or bring about this psychological transfer and that establish the point of reference ? This crucial question has never been satisfac- torily answered by the proponents ...
... objective elements or factors in the text itself that give rise to or bring about this psychological transfer and that establish the point of reference ? This crucial question has never been satisfac- torily answered by the proponents ...
Página 216
... objective idealists like Kant , with all their differences , did agree that objects do not have an existence independent of the perception we have of them . Reality is formed and tempered by the human mind . As a result the empirico ...
... objective idealists like Kant , with all their differences , did agree that objects do not have an existence independent of the perception we have of them . Reality is formed and tempered by the human mind . As a result the empirico ...
Página 228
... objective criterion exists for character- izing the correct or incorrect sentence . A legitimate use of words entails a commitment to verifiable objects so that what is called a dog on March 10 is not as a result of a lapse of memory ...
... objective criterion exists for character- izing the correct or incorrect sentence . A legitimate use of words entails a commitment to verifiable objects so that what is called a dog on March 10 is not as a result of a lapse of memory ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |