The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 184
... reality , however , such realism , the realism of the camera , is essentially more fictional than book - fiction , which makes no such claims and is thus more " real , " in its limited expression of " reality , " than the pretentious ...
... reality , however , such realism , the realism of the camera , is essentially more fictional than book - fiction , which makes no such claims and is thus more " real , " in its limited expression of " reality , " than the pretentious ...
Página 237
... reality . Such confusion is redoubled by literary debates over whether , even if the artist's version of reality is accurate , the recording of that reality is rightfully the function of art . Much nineteenth - century criticism of ...
... reality . Such confusion is redoubled by literary debates over whether , even if the artist's version of reality is accurate , the recording of that reality is rightfully the function of art . Much nineteenth - century criticism of ...
Página 339
... reality than it can show as gain . Clearly , most significant novelists have tried to express reality , and have been ambitious of breaking through old barriers to arrive at ( with designed tautology ) " the real truth . " Tristram ...
... reality than it can show as gain . Clearly , most significant novelists have tried to express reality , and have been ambitious of breaking through old barriers to arrive at ( with designed tautology ) " the real truth . " Tristram ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |