The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 44
... represented time of the work as a whole , “ the time it takes to read a novel " as against the length of time covered by the content of the novel , " 29 as well as the disparities between different works in point of time - ratios , but ...
... represented time of the work as a whole , “ the time it takes to read a novel " as against the length of time covered by the content of the novel , " 29 as well as the disparities between different works in point of time - ratios , but ...
Página 54
... represented time , can only touch briefly upon some of the occurrences referred to and / or sum- marize some of their habitual , recurrent features . In other words , the texture of such a passage cannot be specific , for , the passage ...
... represented time , can only touch briefly upon some of the occurrences referred to and / or sum- marize some of their habitual , recurrent features . In other words , the texture of such a passage cannot be specific , for , the passage ...
Página 60
... represented time is concerned , the feasts projected in these lines are accorded a treatment conspicuously different from that of the other motifs . The time - ratio of this brief complex of incidents , to which about half of the ...
... represented time is concerned , the feasts projected in these lines are accorded a treatment conspicuously different from that of the other motifs . The time - ratio of this brief complex of incidents , to which about half of the ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |