The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 170
... seems , in S / Z , very limited , partly no doubt because of the character of the text examined . But there seems little doubt that he has got behind the arbitrary constraints that have been mistaken for rules ; the kind of reading he ...
... seems , in S / Z , very limited , partly no doubt because of the character of the text examined . But there seems little doubt that he has got behind the arbitrary constraints that have been mistaken for rules ; the kind of reading he ...
Página 329
... seems to be in A Portrait , or too rigid , as Conrad's in The Secret Agent . But there are also those novels in which , intermittently and without warning , the novelist changes his stance in mid - action , becomes too close to the ...
... seems to be in A Portrait , or too rigid , as Conrad's in The Secret Agent . But there are also those novels in which , intermittently and without warning , the novelist changes his stance in mid - action , becomes too close to the ...
Página 332
... seems to be exempt from the inexo- rable moral laws to which George Eliot's characters are normally sub- jected . Certainly he seems inadequate as a foil to Dorothea . As a creator of what may be called the exclusively masculine male ...
... seems to be exempt from the inexo- rable moral laws to which George Eliot's characters are normally sub- jected . Certainly he seems inadequate as a foil to Dorothea . As a creator of what may be called the exclusively masculine male ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |