The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 111
... simply be- cause the novel is a form which will no longer serve ; it is because the novel , instead of being a form , was simply the expression of an age which had not sufficiently lost all form to feel the need of something stricter ...
... simply be- cause the novel is a form which will no longer serve ; it is because the novel , instead of being a form , was simply the expression of an age which had not sufficiently lost all form to feel the need of something stricter ...
Página 134
... simply happened , for the past remains hap- pening , never finished or behind us ( thus Pursewarden , a minor character and a suicide in the first book of Durrell's Quartet , be- comes increasingly dominant , articulate , and vital ...
... simply happened , for the past remains hap- pening , never finished or behind us ( thus Pursewarden , a minor character and a suicide in the first book of Durrell's Quartet , be- comes increasingly dominant , articulate , and vital ...
Página 167
... simply is , lacking all meaning but that signified in our texts . Every novel , on this view , should be an affront to the simple hermeneutic expectation that it will work out , because it can only work out if we accept the false ...
... simply is , lacking all meaning but that signified in our texts . Every novel , on this view , should be an affront to the simple hermeneutic expectation that it will work out , because it can only work out if we accept the false ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |