The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 218
... things , whose characters are entirely independent of our opinions about them ; whose realities affect our senses according to regular laws , and , though our sensations are as different as our relations to the objects , yet , by taking ...
... things , whose characters are entirely independent of our opinions about them ; whose realities affect our senses according to regular laws , and , though our sensations are as different as our relations to the objects , yet , by taking ...
Página 274
... things from my pen , " he began . Apparently a kind person , an almost gray brush of hair , painstakingly close - shaven , a sharp nose , the flesh over his cheekbones often ebbs and flows like a wave . He is a mediocre writer with good ...
... things from my pen , " he began . Apparently a kind person , an almost gray brush of hair , painstakingly close - shaven , a sharp nose , the flesh over his cheekbones often ebbs and flows like a wave . He is a mediocre writer with good ...
Página 302
... things he has defined with precision ; but his images , his cadences , the sudden shift from dejection to exaltation , while his voice remains quiet and almost casual - these are the oblique expres- sion of his feeling for things . They ...
... things he has defined with precision ; but his images , his cadences , the sudden shift from dejection to exaltation , while his voice remains quiet and almost casual - these are the oblique expres- sion of his feeling for things . They ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |