The Theory of the Novel: New Essays, Volume 10John Halperin Oxford University Press, 1974 - 396 páginas |
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Página 75
... true , but only to be given clearly and objectively for con- templation . " If what is expressed need not be true , then surely we are not being taught in any simple way in comedy ; and if we cannot bring our own attitudes to bear on ...
... true , but only to be given clearly and objectively for con- templation . " If what is expressed need not be true , then surely we are not being taught in any simple way in comedy ; and if we cannot bring our own attitudes to bear on ...
Página 85
... true alternatives ; it is necessary to transfer one of them into another plane , by translating it into new terms , before they can be resolved , and then they have ceased to be true alternatives . Lear is most “ truly " king when he is ...
... true alternatives ; it is necessary to transfer one of them into another plane , by translating it into new terms , before they can be resolved , and then they have ceased to be true alternatives . Lear is most “ truly " king when he is ...
Página 268
... true that in Lot 49 modern America is a mechanized wasteland ; but , by the same token , it is as " unreal " as it would be for Goldsmith or George Eliot . It is true that nature and community seem almost un- obtainable in Pynchon ; but ...
... true that in Lot 49 modern America is a mechanized wasteland ; but , by the same token , it is as " unreal " as it would be for Goldsmith or George Eliot . It is true that nature and community seem almost un- obtainable in Pynchon ; but ...
Índice
Meir Sternberg What Is Exposition? An Essay | 25 |
Fiction | 71 |
A Walton Litz The Genre of Ulysses | 109 |
Direitos de autor | |
13 outras secções não apresentadas
Palavras e frases frequentes
action actually aesthetic American appears artist becomes beginning believe called century characters comedy comic conception concerned consciousness course created criticism deal defined definition describe discussion effect Eliot English essay example existence experience expositional expression fabula fact feeling fiction finally genre George give given hand Henry human imagination important instance intention interest James kind language later less limited literary literature living matter meaning mind mode moral narrative narrator nature never novel novelist objective once original particular perhaps person plot possible present problem question reader reading realism reality reference relation represented scene seems sense simply speak story structure suggests sujet theory things thought tion tone tradition true truth turn Ulysses understand University whole writer York
Referências a este livro
The Experimental Impulse in George Meredith's Fiction Richard C. Stevenson Pré-visualização limitada - 2004 |