Popular Fronts: Chicago and African-American Cultural Politics, 1935-46University of Illinois Press, 1999 - 242 páginas In a stunning revision of radical politics during the Popular Front period, Bill Mullen redefines the cultural renaissance of the 1930s and early 1940s as the fruit of an extraordinary rapprochement between African-American and white members of the U.S. Left struggling to create a new American Negro culture. A dynamic reappraisal of a critical moment in American cultural history, Popular Fronts includes a major reassessment of the politics of Richard Wright's critical reputation, a provocative reading of class struggle in Gwendolyn Brooks's A Street in Bronzeville, and in-depth examinations of the institutions that comprised Chicago's black popular front: The Chicago Defender, the period's leading black newspaper; Negro Story, the first magazine devoted to publishing short stories by and about black Americans; and the WPA-sponsored South Side Community Art Center. |
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... Artists in Uniform : The South Side Community Art Center and the Defense of Culture 19 44 75 4. Worker - Writers in Bronzeville : Negro Story and the African - American " Little " Magazine 106 5. Genre Politics / Cultural Politics : The ...
... Artists in Uniform : The South Side Community Art Center and the Defense of Culture 19 44 75 4. Worker - Writers in Bronzeville : Negro Story and the African - American " Little " Magazine 106 5. Genre Politics / Cultural Politics : The ...
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... artist Elizabeth Catlett and the Estate of Charles White allowed the generous appearance of their artwork in this book . Susan Cayton ... Art Center ; Ishmael Flory brought for- ward in living color the days of his own , Acknowledgments.
... artist Elizabeth Catlett and the Estate of Charles White allowed the generous appearance of their artwork in this book . Susan Cayton ... Art Center ; Ishmael Flory brought for- ward in living color the days of his own , Acknowledgments.
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... artists of the South Side Community Art Center on the occasion of its dedication , May 8 , 1941 Discontent is widespread in Bronzeville .... That the resentments and discontent do not explode more often is partially due to the existence ...
... artists of the South Side Community Art Center on the occasion of its dedication , May 8 , 1941 Discontent is widespread in Bronzeville .... That the resentments and discontent do not explode more often is partially due to the existence ...
Página 9
... artists , writers , professionals , and businessmen . This broad ... middle - class and upper - class blacks was especially redolent on Chicago's ... artists and in- tellectuals leading a national reconsideration of a black aesthetic and ...
... artists , writers , professionals , and businessmen . This broad ... middle - class and upper - class blacks was especially redolent on Chicago's ... artists and in- tellectuals leading a national reconsideration of a black aesthetic and ...
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... Art Center , the WPA - supported center whose 1941 opening culminated one of the largest Federal Art Projects in the country . These same cultural workers and cultural institutions also cultivated an independent brand of radicalism that ...
... Art Center , the WPA - supported center whose 1941 opening culminated one of the largest Federal Art Projects in the country . These same cultural workers and cultural institutions also cultivated an independent brand of radicalism that ...
Índice
Chicago and the Politics of Reputation Richard Wrights Long Black Shadow | 19 |
Turning White Space into Black Space The Chicago Defender and the Creation of the Cultural Front | 44 |
Artists in Uniform The South Side Community Art Center and the Defense of Culture | 75 |
WorkerWriters in Bronzeville Negro Story and the AfricanAmerican Little Magazine | 106 |
Genre PoliticsCultural Politics The Short Story and the New Black Fiction Market | 126 |
Engendering the Cultural Front Gwendolyn Brooks Black Women and Class Struggle in Poetry | 148 |
American Daughters Fifth Columns and Lonely Crusades Purge Emigration and Exile in Chicago | 181 |
Postscript Bronzeville Today | 201 |
Appendix | 207 |
Notes | 213 |
236 | |
Outras edições - Ver tudo
Popular Fronts: Chicago and African-American Cultural Politics, 1935-46 Bill V Mullen Pré-visualização limitada - 2024 |
Popular Fronts: Chicago and African-American Cultural Politics, 1935-46 Bill Mullen Pré-visualização indisponível - 1999 |
Popular Fronts: Chicago and African-American Cultural Politics, 1935-46 Bill Mullen Pré-visualização indisponível - 2015 |
Palavras e frases frequentes
Abbott African-American American Negro Barnett black Americans black and white black artists black Chicago black cultural politics Black Metropolis black press black radical black women black writers Brooks's Browning Burns Charles White Chester Himes Chicago Defender Chicago's black Chicago's Negro People's Chicago's South Side Communist Party Community Art Center critical cultural workers Defender's editor Elizabeth Catlett Federal Art Project Frank Marshall Davis genre Gwendolyn Brooks Harlem Himes Himes's Horace Cayton Hughes's Ibid Illinois included interracial Jack Conroy labor Langston Left liberal literary magazine magazine's mass Motley National Negro Congress Native Negro People's Front Negro Press Negro Story novel organized paper poem poetry Popular Front postwar progressive proletarian protest published race racial racist readers renaissance Richard Wright Scottsboro Sengstacke short fiction short story Side Community Art social South Side Community Story's Street in Bronzeville struggle tion Uncle Tom's Children vanguard voice wartime World York
Passagens conhecidas
Página 8 - Angelo Herndon. Hundreds, too, voted for Foster and Ford, Browder and Ford, for what other party since Reconstruction days had ever run a Negro for vice president of the United States ? And who had ever put Negroes in a position where they led white men as well as black? Every time a black Communist appeared on the platform, or his picture appeared in a newspaper, Negroes were proud; and no stories of "atheistic Reds...
Referências a este livro
Radical Relevance: Toward a Scholarship of the Whole Left Laura Gray-Rosendale,Steven Rosendale Pré-visualização limitada - 2012 |
Bitter Fruit: African American Women in World War II Maureen Honey Pré-visualização indisponível - 1999 |