Popular Fronts: Chicago and African-American Cultural Politics, 1935-46University of Illinois Press, 1999 - 242 páginas In a stunning revision of radical politics during the Popular Front period, Bill Mullen redefines the cultural renaissance of the 1930s and early 1940s as the fruit of an extraordinary rapprochement between African-American and white members of the U.S. Left struggling to create a new American Negro culture. A dynamic reappraisal of a critical moment in American cultural history, Popular Fronts includes a major reassessment of the politics of Richard Wright's critical reputation, a provocative reading of class struggle in Gwendolyn Brooks's A Street in Bronzeville, and in-depth examinations of the institutions that comprised Chicago's black popular front: The Chicago Defender, the period's leading black newspaper; Negro Story, the first magazine devoted to publishing short stories by and about black Americans; and the WPA-sponsored South Side Community Art Center. |
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... Cayton Woodson was likewise a terrific spirit and knower . With her I met the eminent painter William Carter and learned important information about Fern Gayden , Horace Cayton , and other Chicago artists . Michael Flug , head archivist ...
... Cayton Woodson was likewise a terrific spirit and knower . With her I met the eminent painter William Carter and learned important information about Fern Gayden , Horace Cayton , and other Chicago artists . Michael Flug , head archivist ...
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... Cayton , Black Metropolis , 1945 " Paul Robeson and Our Cultural Front . " So read the headline for the Sep- tember 12 , 1942 , Chicago Defender editorial on the occasion of Robeson's opening night performance as Othello in Cambridge ...
... Cayton , Black Metropolis , 1945 " Paul Robeson and Our Cultural Front . " So read the headline for the Sep- tember 12 , 1942 , Chicago Defender editorial on the occasion of Robeson's opening night performance as Othello in Cambridge ...
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... Cayton and St. Clair Drake summed up the early Depression and Scottsboro years relationship of the party and Black Metropolis as follows : the Negro masses ... were not Marxian Socialists dreaming of a Socialist society - they were ...
... Cayton and St. Clair Drake summed up the early Depression and Scottsboro years relationship of the party and Black Metropolis as follows : the Negro masses ... were not Marxian Socialists dreaming of a Socialist society - they were ...
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... Cayton , St. Clair Drake , Willard Motley , Charles White , Margaret Walker , Bernard Goss , and Frank Marshall Davis . By 1936 , these figures were sowing the seeds of Chicago's " cultural front , " one that would give birth to a ...
... Cayton , St. Clair Drake , Willard Motley , Charles White , Margaret Walker , Bernard Goss , and Frank Marshall Davis . By 1936 , these figures were sowing the seeds of Chicago's " cultural front , " one that would give birth to a ...
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... - ceptual center of St. Clair Drake and Horace Cayton's 1945 Black Metropo- lis - was surfaced by widening economic gaps in a period of growing black capitalism and an adjacent explosion of self - reflective " INTRODUCTION 11.
... - ceptual center of St. Clair Drake and Horace Cayton's 1945 Black Metropo- lis - was surfaced by widening economic gaps in a period of growing black capitalism and an adjacent explosion of self - reflective " INTRODUCTION 11.
Índice
Chicago and the Politics of Reputation Richard Wrights Long Black Shadow | 19 |
Turning White Space into Black Space The Chicago Defender and the Creation of the Cultural Front | 44 |
Artists in Uniform The South Side Community Art Center and the Defense of Culture | 75 |
WorkerWriters in Bronzeville Negro Story and the AfricanAmerican Little Magazine | 106 |
Genre PoliticsCultural Politics The Short Story and the New Black Fiction Market | 126 |
Engendering the Cultural Front Gwendolyn Brooks Black Women and Class Struggle in Poetry | 148 |
American Daughters Fifth Columns and Lonely Crusades Purge Emigration and Exile in Chicago | 181 |
Postscript Bronzeville Today | 201 |
Appendix | 207 |
Notes | 213 |
236 | |
Outras edições - Ver tudo
Popular Fronts: Chicago and African-American Cultural Politics, 1935-46 Bill V Mullen Pré-visualização limitada - 2024 |
Popular Fronts: Chicago and African-American Cultural Politics, 1935-46 Bill Mullen Pré-visualização indisponível - 1999 |
Popular Fronts: Chicago and African-American Cultural Politics, 1935-46 Bill Mullen Pré-visualização indisponível - 2015 |
Palavras e frases frequentes
Abbott African-American American Negro Barnett black Americans black and white black artists black Chicago black cultural politics Black Metropolis black press black radical black women black writers Brooks's Browning Burns Charles White Chester Himes Chicago Defender Chicago's black Chicago's Negro People's Chicago's South Side Communist Party Community Art Center critical cultural workers Defender's editor Elizabeth Catlett Federal Art Project Frank Marshall Davis genre Gwendolyn Brooks Harlem Himes Himes's Horace Cayton Hughes's Ibid Illinois included interracial Jack Conroy labor Langston Left liberal literary magazine magazine's mass Motley National Negro Congress Native Negro People's Front Negro Press Negro Story novel organized paper poem poetry Popular Front postwar progressive proletarian protest published race racial racist readers renaissance Richard Wright Scottsboro Sengstacke short fiction short story Side Community Art social South Side Community Story's Street in Bronzeville struggle tion Uncle Tom's Children vanguard voice wartime World York
Passagens conhecidas
Página 8 - Angelo Herndon. Hundreds, too, voted for Foster and Ford, Browder and Ford, for what other party since Reconstruction days had ever run a Negro for vice president of the United States ? And who had ever put Negroes in a position where they led white men as well as black? Every time a black Communist appeared on the platform, or his picture appeared in a newspaper, Negroes were proud; and no stories of "atheistic Reds...
Referências a este livro
Radical Relevance: Toward a Scholarship of the Whole Left Laura Gray-Rosendale,Steven Rosendale Pré-visualização limitada - 2012 |
Bitter Fruit: African American Women in World War II Maureen Honey Pré-visualização indisponível - 1999 |