Popular Fronts: Chicago and African-American Cultural Politics, 1935-46University of Illinois Press, 1999 - 242 páginas In a stunning revision of radical politics during the Popular Front period, Bill Mullen redefines the cultural renaissance of the 1930s and early 1940s as the fruit of an extraordinary rapprochement between African-American and white members of the U.S. Left struggling to create a new American Negro culture. A dynamic reappraisal of a critical moment in American cultural history, Popular Fronts includes a major reassessment of the politics of Richard Wright's critical reputation, a provocative reading of class struggle in Gwendolyn Brooks's A Street in Bronzeville, and in-depth examinations of the institutions that comprised Chicago's black popular front: The Chicago Defender, the period's leading black newspaper; Negro Story, the first magazine devoted to publishing short stories by and about black Americans; and the WPA-sponsored South Side Community Art Center. |
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Página 1
... opening night performance as Othello in Cambridge , Massachusetts . The opening was a crowning moment for Robeson , a fixture in the pages of the Defender since his 1939 return to the United States from self - imposed exile to Europe ...
... opening night performance as Othello in Cambridge , Massachusetts . The opening was a crowning moment for Robeson , a fixture in the pages of the Defender since his 1939 return to the United States from self - imposed exile to Europe ...
Página 3
... opening signified that the party " came to accept the notion that there was such a thing as a people's demo- cratic culture ; it actually sought to create such a culture as part of the struggle . " 4 This turn had inspired the party's ...
... opening signified that the party " came to accept the notion that there was such a thing as a people's demo- cratic culture ; it actually sought to create such a culture as part of the struggle . " 4 This turn had inspired the party's ...
Página 6
... opening of Chicago's black " cultural front " represented both a culmination and new beginning for African - American engagement of and revision within the U.S. Left . Chicago's cultural “ renaissance ” and the CPUSA's Popular Front ...
... opening of Chicago's black " cultural front " represented both a culmination and new beginning for African - American engagement of and revision within the U.S. Left . Chicago's cultural “ renaissance ” and the CPUSA's Popular Front ...
Página 7
... opening of its Third Period in 1928 , which stressed the right of self - determination for southern blacks.22 The Unemployed Councils in particular adopted issues and strategies already being under- taken by non - Communist black ...
... opening of its Third Period in 1928 , which stressed the right of self - determination for southern blacks.22 The Unemployed Councils in particular adopted issues and strategies already being under- taken by non - Communist black ...
Página 10
... opening culminated one of the largest Federal Art Projects in the country . These same cultural workers and cultural institutions also cultivated an independent brand of radicalism that contested party authority when it didn't fit their ...
... opening culminated one of the largest Federal Art Projects in the country . These same cultural workers and cultural institutions also cultivated an independent brand of radicalism that contested party authority when it didn't fit their ...
Índice
Chicago and the Politics of Reputation Richard Wrights Long Black Shadow | 19 |
Turning White Space into Black Space The Chicago Defender and the Creation of the Cultural Front | 44 |
Artists in Uniform The South Side Community Art Center and the Defense of Culture | 75 |
WorkerWriters in Bronzeville Negro Story and the AfricanAmerican Little Magazine | 106 |
Genre PoliticsCultural Politics The Short Story and the New Black Fiction Market | 126 |
Engendering the Cultural Front Gwendolyn Brooks Black Women and Class Struggle in Poetry | 148 |
American Daughters Fifth Columns and Lonely Crusades Purge Emigration and Exile in Chicago | 181 |
Postscript Bronzeville Today | 201 |
Appendix | 207 |
Notes | 213 |
236 | |
Outras edições - Ver tudo
Popular Fronts: Chicago and African-American Cultural Politics, 1935-46 Bill V Mullen Pré-visualização limitada - 2024 |
Popular Fronts: Chicago and African-American Cultural Politics, 1935-46 Bill Mullen Pré-visualização indisponível - 1999 |
Popular Fronts: Chicago and African-American Cultural Politics, 1935-46 Bill Mullen Pré-visualização indisponível - 2015 |
Palavras e frases frequentes
Abbott African-American American Negro Barnett black Americans black and white black artists black Chicago black cultural politics Black Metropolis black press black radical black women black writers Brooks's Browning Burns Charles White Chester Himes Chicago Defender Chicago's black Chicago's Negro People's Chicago's South Side Communist Party Community Art Center critical cultural workers Defender's editor Elizabeth Catlett Federal Art Project Frank Marshall Davis genre Gwendolyn Brooks Harlem Himes Himes's Horace Cayton Hughes's Ibid Illinois included interracial Jack Conroy labor Langston Left liberal literary magazine magazine's mass Motley National Negro Congress Native Negro People's Front Negro Press Negro Story novel organized paper poem poetry Popular Front postwar progressive proletarian protest published race racial racist readers renaissance Richard Wright Scottsboro Sengstacke short fiction short story Side Community Art social South Side Community Story's Street in Bronzeville struggle tion Uncle Tom's Children vanguard voice wartime World York
Passagens conhecidas
Página 8 - Angelo Herndon. Hundreds, too, voted for Foster and Ford, Browder and Ford, for what other party since Reconstruction days had ever run a Negro for vice president of the United States ? And who had ever put Negroes in a position where they led white men as well as black? Every time a black Communist appeared on the platform, or his picture appeared in a newspaper, Negroes were proud; and no stories of "atheistic Reds...
Referências a este livro
Radical Relevance: Toward a Scholarship of the Whole Left Laura Gray-Rosendale,Steven Rosendale Pré-visualização limitada - 2012 |
Bitter Fruit: African American Women in World War II Maureen Honey Pré-visualização indisponível - 1999 |