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ACT IV. SCENE I.
Enter ROSALIND, CELIA, and JAQUES.
JAQ. I prythee, pretty youth, let me be* better .be is acquainted with thee.
Ros. They say, you are a melancholy fellow.
Ros. Those, that are in extremity of either, are abominable fellows; and betray themselves to every modern censure, worse than drunkards.
JAQ. Why, 'tis good to be sad and say nothing.
JAQ. I have neither the scholar's melancholy, which is emulation; nor the musician's, which is fantastical; nor the courtier's, which is proud ;-nor the soldier's, which is ambitious; nor the lawyer's, which is politick; nor the lady's, which is nice; 5 nor the lover's, which is all these : but it is a melancholy of mine own, compounded of many simples, extracted from many objects, and, indeed, the sundry contemplation of my travels, in which
* modern censure] Common, vulgar. « Modern and familiar things." All's Well, &c. II. 3. Lafeu. See “ modern ecstasy,” Macb. IV. 3. Rosse. the lady's, which is nice] Affected, over-curious in trifles. “ You must appear to be straunge and nyce.”
The longer thou lid'st, the more Fool. 1570.
* by, 1623. my * often rumination wraps me in a most humor
ous sadness. (1)
Ros. A traveller! By my faith, you have great
Ros. And your experience makes you sad: I had rather have a fool to make me merry, than experience to make me sad; and to travel for it too.
Orl. Good day, and happiness, dear Rosalind !
JAQ. Nay then, God be wi' you, an you talk in blank verse.
Ros. Farewell, monsieur traveller : Look, you lisp, and wear strange suits; disable" all the benefits of your own country; be out of love with your nativity, and almost chide God for making
you that countenance you are ;' or I will scarce • gundello, think you have swam in a *gondola.(2)— Why, how 0. C.
now, Orlando! where have you been all this while? You a lover ?-An you serve me such another trick, never come in my sight more.
Orl. My fair Rosalind, I come within an hour of my promise.
Ros. Break an hour's promise in love? He that will divide a minute into a thousand parts, and
disable all the benefits] Detract from, undervalue.
" Dis. abled my judgment.” V.4. Touchst.
making you that countenance you are] That person you are; or giving you that countenance you have.
break but a part of the thousandth part of a minute in the affairs of love, it may be said of him, that Cupid hath clap'd him o' the shoulder, but I warrant him heart-whole.
ORL. Pardon me, dear Rosalind.
Ros. Nay, an you be so tardy, come no more in my sight; I had as lief be wood of a snail.
ORL. Of a snail? Ros. Ay, of a snail; for though he comes slowly, he carries his house on his head; a better jointure, I think, than you make a woman: Besides, he brings his destiny with him.
ORL. What's that ?
Ros. Why, horns; which such as you are fain to be beholden to your wives for: but he comes armed in his fortune, and prevents the slander of his wife.
Orl. Virtue is no horn-maker ; and my Rosalind is virtuous.
Ros. And I am your Rosalind.
CEL. It pleases him to call you so; but he hath a Rosalind of a better leer than you.
Ros. Come, woo me, woo me; for now I am in a holiday humour, and like enough to consent:What would you say to me now, an I were your very very Rosalind
? ORL. I would kiss before I spoke.
Ros. Nay, you were better speak first; and when you were gravelled for lack of matter, you might take occasion to kiss. Very good orators, when they are out, they will spit; and for lovers, lacking (God warn us!) matter, the cleanliest shift is to kiss.
Orl. How if the kiss be denied?
my suit ?
Ros. Then she puts you to entreaty, and there begins new matter.
ORL. Who could be out, being before his beloved mistress ?
Ros. Marry, that should you, if I were your mistress; or I should think my honesty ranker* than my wit.
Orl. What, of Ros. Not out of your apparel, and yet out of suit. Am not I
Rosalind ? Orl. I take some joy to say you are, because I would be talking of her.
Ros. Well, in her person, I say, I will not have you.
ORL. Then, in mine own person, I die.
Ros. No, faith, die by attorney. The poor world is almost six thousand years old, and in all this time there was not any man died in his own person, videlicet, in a love-cause. Troilus had his brains dashed out with a Grecian club; yet he did what he could to die before; and he is one of the patterns of love. Leander, he would have lived many a fair year, though Hero had turned nun, if it had not been for a hot midsummer night: for, good youth, he went but forth to wash him in the Hel. lespont, and, being taken with the cramp, was drowned; and the foolish chroniclers of that age found it was-Hero of Sestos. But these are all lies; men have died from time to time, and worms have eaten them, but not for love.
Orl. I would not have my right Rosalind of this mind; for, I protest, her frown might kill me.
*ranker] Less clean and pure.
0 the chroniclers of that age found it, &c.] In the language of a coroner's jury, the chroniclers of that age, who record and transmit facts to posterity, found (i. e, stated) it to be-Hero.
Ros. By this hand, it will not kill a fly: But come, now I will be your Rosalind in a more coming-on disposition; and ask me what you will, I will grant it.
ORL. Then love me, Rosalind.
Ros. Yes, faith will I, Fridays, and Saturdays, and all.
ORL. And wilt thou have me?
Ros. Why then, can one desire too much of a good thing?
-Come, sister, you shall be the priest, and marry us.—Give me your hand, Orlando :What do you say, sister ?
ORL. Pray thee, marry us.
CEL. Go to:Will you, Orlando, have to wife this Rosalind ?
ORL. I will.
I take thee, Rosalind, for wife.
ORL. I take thee, Rosalind, for wife.
Ros. I might ask you for your commission;" but, -I do take thee, Orlando, for my husband: There's a girl goes before the priest; and, certainly, a woman's thought runs before her actions.