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A private friend of the writer, residing in Dublin, had a brother who was a sailor, and had gone to the East Indies. She was expecting him home; and one morning, as she was about leaving the drawing-room to go down stairs, she saw her brother coming up towards her, with the water apparently dripping from his clothes and hair. In amazement, she exclaimed, "Why, William! where have you been? and what have you been doing to yourself?"

his profession as a soldier, he became one | apparition had been seen by her in the of the most eminent of Christians, and an garden. eloquent and successful advocate of the Christian faith. His whole after life was one continuous and constant exemplification of the religion he professed; and, his enemies themselves being judges, no man exhibited a demeanor more blameless, or conduct more honorable; and whatever sceptics may have to say, of cavil, in depreciation of the circumstances which produced the change, it cannot be denied, that so far as the individual was concerned, the object attained was fully commensurate with the means by which it was accomplished; and unless a substantial reason can be adduced for the change in Co-ishment and perplexity. When she relonel Gardiner's life, irrespective of the cause he has himself assigned for it, it will ever be considered by rational persons an interposition of Providence, to bring him to repentance.

A friend of the writer's, who formerly resided at Bath, had related to him the following account. Calling one day, about one o'clock, upon a lady of his acquaintance, who resided at a short distance from the city, upon entering the garden from an outside gate, he saw the lady standing in the middle of the garden with a child in her arms; but in such a state of terror and trembling that she seemed ready to let it fall, and sink herself to the ground. On his approaching to address her, she exclaimed in agitation, "O Mr. S.! I have had such a dreadful alarm. A few minutes ago I heard my father's voice, distinctly calling, Eleanor! Eleanor and on turning round, I saw him coming into the garden through the gate. I instantly went to meet him, but on going round those lilacs to the place where I saw him coming towards me, he was not there, nor can I find him at all in the garden."

Our friend endeavored to calm her mind, by representing that it must have been an imaginary appearance; and although she still persisted in asserting that she both saw her father (who was living in Wales, at the distance of eighty or ninety miles from Bath,) and distinctly heard his voice, she became more composed, and seemed to think it possible it might have been an optical illusion. By the next morning's post, however, she received a letter informing her that her father had died at his own house in Wales, at the very moment in which the

Whilst she was speaking, the apparition vanished, leaving her in the utmost aston

covered herself, she wrote down the day and hour in which the spectre appeared. In the course of a few months she received a letter from the captain of the ship in which her brother had sailed, announcing to her the melancholy fact that he had been accidentally drowned, on the very day and hour in which the apparition had presented itself to her in Dublin.

SECOND SIGHT.

This faculty is, beyond a doubt, the result of mental vision; and the possession of it by certain persons is so well authenticated, that we have no hesitation in including it in our illustrations of the same principle. The following instance is related by Dr. Ferrier, in his work on the subject:

A gentleman connected with my family, an officer in the army, and certainly addicted to no superstition, was quartered, early in life, in the middle of last century, near the castle of a gentleman in the north of Scotland, who was supposed to possess second sight. Strange rumors were afloat respecting the old chieftain. He had spoken to an apparition, which ran along the battlements of the house, and had never been cheerful afterwards. His mental vision excited surprise even in that region of credulity; and his retired habits favored the popular opinion. My friend assured me, that one day whilst he was reading a play to the ladies of the family, the chief, who had been walking across the room, stopped suddenly, and assuming the look of a seer, rang the bell, and ordered the groom to saddle a horse, and proceed immediately to a seat in the neighborhood, to inquire after the health

of a lady. If the account was favorable, he then directed him to call at another castle, to ask after another lady, whom he named. The reader immediately closed his book, and declared that he would not proceed till these abrupt orders were explained, as he was convinced they were produced by second sight.

sidence on the island of Bernera, which lies between the island of North Uist and Harris, went to the Isle of Skye about business, without appointing any time for his return. The servants, in his absence, being all together in the great hall, at night, one of them accustomed to see the second sight, told the rest they must remove, for they would have abundance of company to-night. One of his fellow-servants answered that there was very little appearance of that; and if he had seen any vis

The chief was very unwilling to explain himself; but at length he owned that the door had appeared to open, and that a little woman without a head had then entered the room-that the apparition indi-ion of company it was not likely to be cated the death of a person of his acquaintance; and the only two who resembled the figure were these ladies after whose health he had sent to inquire. A few hours afterwards the servant returned, with an account that one of the ladies had died of apoplexy, about the time when the vision appeared.

Another time, the chief was confined to his bed by indisposition, and my friend was reading to him, in a stormy winter's night, whilst the fishing boat belonging to the castle was at sea. The old chieftain repeatedly expressed much anxiety respecting his people, and at last exclaimed, "My boat is lost." The Colonel replied, "How do you know that, Sir !" He was answered, "I see two of the boatmen bringing in the third, drowned, all dripping wet, and laying him down close beside your chair!" The chair was shifted with great precipitation. In the course of the night the fishermen returned with the corpse of one of the boatmen.

Sir Norman McLeod, who had his re

accomplished that night. But the seer insisted upon it that it was. They continued to argue the improbability of it, because of the darkness of the night, and the danger of coming through the rocks that lie around the isle. But within an hour after, one of Sir Norman's men came to the house, bidding them provide lights, etc., for his master had now landed.

VISCOUNT DUNDEE.

Lord Balcarras was confined in Edinburgh Castle; and, unconscious of what was impending, saw the apparition of Viscount Dundee enter his bedroom at the very moment he fell at the battle of Killiecrankie. The spectre drew aside the curtains of his friend's bed, looked steadfastly at him, leaned for some time on the mantelpiece, and then walked out of the room. The Earl, not aware at the time that he was gazing on a phantom, called upon Dundee to stop. News soon arrived of the unfortunate hero's fate.

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PAUL DELAROCHE, the greatest French | broking establishment of France, called historical painter of his time, was born in Paris in 1797, and died last month, at the age of fifty-nine. He was the son of an eminent connoisseur in art, who held an appointment in the great national pawn

the Mont de Pieté, his duty being the valuation of such works of art as were of fered there in pledge. His son's Christian name was Jean Baptiste; but being of diminutive stature, his schoolfellows nick

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named him "little Paul," and that name vigorous character and execution in their he afterwards adopted as his own. He works. commenced his studies as an artist in the department of landscape painting, but having failed to obtain the prize at the Ecole des Beaux Arts, when he was a competitor in 1817, and his elder brother, who had selected the branch of historical art, having relinquished it for commercial pursuits, he resolved upon devoting himself in future to the delineation of historical subjects-the highest and most comprehensive of all the branches of painting. În 1818, he entered the studio of M. le Baron Gros, one of the most distinguished disciples of the celebrated David, the founder of the modern French school of painting.

which showed not only a striking improveIn 1824 he exhibited three paintings ment on his mode of treating the subjects which he had selected, but also convinced all who beheld them that he knew the precise themes which are best adapted for historical illustration. These paintings were "Philippo Lippi Declaring his Passion to the Nun, whose Portrait he was Painting;" "Joan of Arc Interrogated in Prison;" and "Vincent St. Paul Preaching before Louis XIII." His success was now decided, and henceforth he relied with more confidence on his own inspirations and genius. In 1827, among other Death of Durante," commissioned for one works of less mark, he exhibited "The of the halls of the Conseil d'Etat; "The Result of a Duel;" "Canmont de la Force Saved from Massacre," and "The Death of Queen Elizabeth." The latter painting

was purchased by the Government of Charles X., and is now in the gallery of the Luxembourg, where also is his "Joash." "The Death of Queen Elizabeth" is a very powerful picture. painted in her last agony, stretched on a The queen is carpet on the ground, surrounded by her women, one of whom is arranging the cushions under her head. The Archbishop of Canterbury, the Lord Keeper, and the Lord High Admiral are grouped around her; and the Secretary of State, Cecil, is kneeling before her, in the act of soliciting her last commands.

All the institutions of art in France having been abolished early in the first Revolution, when every thing established was overturned, and the most precious works of art in the country were destroyed by the fury of the populace, the French may be said to have had no school of study for a time. The principal events of the Revolution, and the subsequent victories of the French arms, formed the main subjects of the productions of their artists. Hence, there is something theatrical in the character of most of the great works of the Empire. The collection of the works of art, the spoils of conquered Europe, which so long graced the museums of Paris, inspired the rising race of French artists with a new spirit; and was the means of ultimately introducing a more correct taste, and a bolder style of expression than was shown in the coldly classical other subjects for the exercise of his art. English history afforded M. Delaroche productions of the school of David and In 1830, he exhibited his "Princes in the his followers. Color, action, and drama- Tower," which is also in the Luxembourg; tic effect were the most distinguishing and in 1831 he produced his "Cromwell characteristics of Gros, the master of De- Contemplating the Corpse of Charles I.," laroche; and these he studied carefully, now in the collection of the Earl of Ellesat the same time striving, and not unsuc- mere, a liberal patron of the fine arts, and cessfully, even at that early period of his the possessor of the valuable picture galcareer, to attain that simplicity of compo-lery of the late Duke of Bridgewater, essition, intellectual grace, and dignity of attitude for which his paintings came af

terwards to be so celebrated.

He first exhibited, in 1822, at the age of twenty-five, at the Salon, three pictures -"A Study of a Head," a "Descent from the Cross," and Joas saved by Jehoshabeth," all of which evinced much promise. His progress after this was rapid. He was one of the first of the new school of French artists who abandoned the academical style, and aimed at a free and more

timated in money at two hundred thousand pounds. His subsequent English Grey;" "Charles I. Insulted by the Solpieces were "The Death of Lady Jane diers of Cromwell"-which is also in the Bridgewater gallery, and for which the Earl of Ellesmere is said to have paid 35,000 francs-and "Strafford Led to Execution."

templating the Corpse of Charles I.," De-
In 1831, besides his "Cromwell Con-
laroche produced two other great works,

"Cardinal Richelieu Ascending the Throne," and "The Death of Mazarin." About the same time he was elected one of the members of the Académie des Beaux Arts, and having opened a large atelier, he became a teacher. One of the finest of his historical pictures is" The Assassination of the Duke de Guise." This was that ambitious and implacable enemy of the Huguenots, who advised the dreadful massacre of St. Bartholomew, and from motives of personal revenge took upon himself the assassination of Coligny. Having become too powerful for the throne, it was resolved that he should be privately dispatched, as it was impossible to bring him to a regular trial for treason. The enterprise was entrusted to Lognac, first chamberlain of the king, Henry III., and captain of forty-five Gascon noblemen, of the new Royal Guard. He selected nine of the most resolute, and concealed them in the king's cabinet. On the 23rd December, 1588, the Duke of Guise went to the king, and was somewhat concerned at seeing the guards strengthened. As soon as he had entered the first hall, the doors were shut. Guise, however, preserved a calm demeanor, and saluted the bystanders with his usual courtesy. When about to enter the cabinet he was stabbed with several daggers, and before he could draw his sword he fell dead, exclaiming, "God have mercy on me!" At the time of his death he was thirty years old. In the painting representing the assassination Delaroche displayed the originality of his genius, and his masterly finish. This great picture at one time belonged to the Duke of Orleans, the son of Louis Philippe, and in 1853 it was purchased by his brother, the Duke D'Aumale, for 52,000 francs, or two thousand guineas.

From 1837 to 1841 M. Delaroche was engaged upon a vast and elaborate work, the painting of the Hemicycle at the Ecole des Beaux Arts, a work such as no other French painter of the time could have finished as he has done. It forms a sort of imaginary academy, or ideal assemblage of almost all the illustrious masters of past times, and it may well be considered his chef de oeuvre.

The later pictures of Delaroche comprise two striking scenes in the history of the great Emperor, namely, " Buonaparte Crossing the Alps," and "Napoleon at Fontainbleau." The latter, in particular,

derives its principal value from the entire originality of conception it displays, and the poetic feeling thrown around the portrait of the fallen conqueror of the world. In middle life the physiogonomy of M. Delaroche bore a striking resmbleance to that of the great Napoleon. His chief works are "Mirandola," "Pilgrim's Before St. Peter's at Rome," "Marie Antoinette," "The Happy Mother," and "Beatrice Cenci Led to Execution." The story of the Cenci has been made known to most readers by Shelley's fine tragedy of that name. Delaroche most probably took the idea of his portrait of the beautiful parricide from the excellent painting said to be by Guido Reni, in the palace of Colonna, at Rome, which has been the means of spreading over all Europe the tale of horror connected with her history. Beatrice and her sister were executed with a sort of guillotine, on the 11th of December, 1599. The estates of the Cenci family were confiscated. To them belonged what was afterwards called the Villa Borghese, at Rome, since so greatly celebrated for its treasures of art. It was presented by Pope Paul V., who was of the house of Borghese, to his family, and ultimately came into possession of Prince Camillo Borghese, the husband of the Princess Maria Pauline, the beautiful and favorite sister of Napoleon I. Mirandola, the subject of the picture of the name above mentioned, was an Admirable Crichton, of Italy, surnamed the Phoenix. He was considered by his contemporaries a marvel of learning and genius. He went to Rome in 1486, and, we are told, proposed no fewer than nine hundred theses on all subjects, which he declared himself ready to defend against all comers, according to the custom of that age. As knights combatted each other in tournaments, so learned men were wont to challenge each other to public wranglings and disputations. In Mirandola's case, no one ventured to appear against him, and he was left undisputed master of the field. He died at Florence in 1494, leaving two or three works in biblical literature, against astrology, etc., celebrated for their profound erudition.

For correctness of drawing, carefulness of finish, and accurate appreciation, as well as natural delineation of character, no French modern artist can equal Delaroche. Some French journals, among other works left by him, mention a " Marie Antoinette

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Before the Revolutionary Tribunal," and ebrated painter, his brother-in-law, with a Last Banquet of the Girondins," sub- M. Goupil, who has greatly contributed jects which afford fine scope for his pow-to popularise his works, and with one of ers. Of late years he exhibited few paint- his medical attendants. He had but so ings, owing to impaired health. He far recovered as to converse freely, when lived latterly in comparative retirement. his head fell on his breast and he expired, In the course of the morning of his death, dying from disease of the heart, now a Tuesday, November 4, he was engaged in common malady. conversation with Horace Vernet, the cel

EARL OF CLARENDON.

THE distinguished personage whose portrait adorns our present number, is a Peer of the British realm, as our readers know, and long acted a prominent and influential part in the political affairs of England and the Continent. The portrait itself, and a brief sketch of the original, will we trust, be alike interesting.

"George William Frederick Villiers was born Jan. 26, 1800, and became the fourth Earl of Clarendon,* on the demise of his uncle, Dec., 1838. On the 3d of June, 1839, he married Lady Catharine Barham, daughter of the Earl of Verulam, and has four children. He was attached to the Embassy of St. Petersburgh from 1820 till 1823; was first Commissioner of Excise from the end of 1823 till September, 1833; in 1827 he went to Ireland, as Commissioner to make arrangements for an union of the English and Irish Boards,

* "The origin of the Clarendon title has an historic interest. It was derived from a spacious park near Salisbury, formerly the site of a royal palace, but more noted as the place where Henry II. summoned, in 1164, the great council of peers and prelates, from which emanated the celebrated regulations, so well known in history as the "Constitutions of Clarendon." By those the clergy were declared amenable to the civil power, and hence arose the contest between the monarch and Thomas à Becket."

and remained there till 1829. For a few months in 1831 he was employed in France as Commercial Commissioner to arrange the bases of a Treaty of Commerce with that country; was Envoy Extraordinary and Minister Plenipotentiary at Madrid from September 5, 1833, till October 18, 1839; was made a G. C. B., October 20, 1837; succeeded as 4th Earl December 22, 1838; was made a Privy Councillor January 3, 1840; was Lord Privy Seal from January 15, 1840, till September 3, 1841; was Chancellor of the Duchy of Lancaster, pro tempore, from October 31, 1840, till June 23, 1841; was President of the Board of Trade from July 6, 1846, till July 22, 1847; was Lord Lieutenant of Ireland from May 26, 1847, till February 28, 1852; was made a K. G. March 23, 1849; was appointed Secretary of State for Foreign Affairs, February 21, 1853; accompanied Her Majesty to Paris, in August, 1855; was Plenipotentiary at the Conferences of Paris, and signed the Treaty of Peace of March 30, 1856.

This very brief sketch is partly historic, partly biographic, and for the rest is an interesting exhibition of the official life and career of an English statemen in the service of the British crown.-EDITOR.

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