Cinematic ShakespeareRowman & Littlefield, 2004 - 227 páginas Cinematic Shakespeare takes the reader inside the making of a number of significant adaptations to illustrate how cinema transforms and re-imagines the dramatic form and style central to Shakespeare's imagination. Cinematic Shakespeare investigates how Shakespeare films constitute an exciting and ever-changing film genre. The challenges of adopting Shakespeare to cinema are like few other film genres. Anderegg looks closely at films by Laurence Olivier (Richard III), Orson Welles (Macbeth), and Kenneth Branagh (Hamlet) as well as topics like "Postmodern Shakespeares" (Julie Taymor's Titus and Peter Greenaway's Prospero's Books) and multiple adaptations over the years of Romeo and Juliet. A chapter on television looks closely at American broadcasting in the 1950s (the Hallmark Hall of Fame Shakespeare adaptations) and the BBC/Time-Life Shakespeare Plays from the late 70s and early 80s. |
Índice
Introduction The Shakespeare Film and Genre | 1 |
Finding the Playwright on Film | 27 |
The Challenges of Romeo and Juliet | 54 |
In and Out of Hollywood Shakespeare in the Studio Era | 86 |
Branagh and the Sons of Ken | 118 |
Electronic Shakespeares Televisual Histories | 148 |
PostShakespeares | 177 |
Bibliography | 207 |
217 | |
About the Author | |
Outras edições - Ver tudo
Palavras e frases frequentes
acting actors adaptation American Antony appears audience Baz Luhrmann's Branagh British broadcast Brutus Cambridge University Press camera Capulet Castellani's casting characters cinema Claudius close-up comedy comic context costumes Courtney Lehmann critics culture director edited effect elements Elizabethan film version film's filmmaker Franco Zeffirelli genre Greenaway's Hallmark Hamlet Henry Hollywood Julius Caesar Kenneth Branagh Kenneth Branagh's language Laurence Olivier Lear lines London Macbeth Manchester masque McKellen Mercutio Michael Midsummer Night's Dream mise-en-scène moments movie Olivier's Ophelia Orson Othello perhaps Peter Greenaway play's popular postmodern Prospero's Books provides Quarterly realism Richard Burt Richard III role Romeo and Juliet scene screen screenplay sense Shake Shakespeare films Shakespeare in Love Shakespeare on Film Shakespeare's play Shakespeare's text shot speare speare's stage production star studio style stylized Taymor's Tempest theater theatrical tion Titus Andronicus viewers visual William Shakespeare's Romeo words York Zeffirelli
Referências a este livro
Erzähltext und Spielfilm: zur Ästhetik und Analyse der Filmadaption Ulrike Schwab Pré-visualização limitada - 2006 |