Shakespeare: The Dark Comedies to the Last Plays: from Satire to CelebrationPsychology Press, 2005 - 200 páginas First published in 1971. This volume explains and analyses the last plays of Shakespeare as dramatic structures. Beginning from the dark comedies, the author describes the ways in which Shakespeare was affected by the new techniques and possibilities for drama opened up by the innovations of the years after 1600, notably by the rise in children's companies. The main line of development of Shakespeare's dramatic skills is shown as leading from the dark comedies, through the late tragedies, to the last plays. A major part of the book is devoted to analyses of Cymbeline, The Winter's Tale, The Tempest and King Henry VIII. |
Índice
Shakespeare and satirical comedy | 7 |
ii Measure for Measure | 17 |
iii Jonson Marston and satire | 31 |
iv Troilus and Cressida | 43 |
Shakespeare and satirical tragedy | 63 |
Shakespeares last plays | 130 |
| 184 | |
Palavras e frases frequentes
accept Achilles action actor All's Alonso Angelo and Isabella Antigonus Antonio and Mellida Antonio's Revenge appears Arden edition Ariel audience Autolycus Belarius Bertram Caliban Camillo characters Claudio Cloten Clown comic Coriolanus court courtiers Cymbeline dark comedies death disguise dramatic Duke effect essay evil Ferdinand Florizel fool fortune Gonzalo Hamlet heavens Hector Helena Henry Hermione hero heroic honour human humour idea Imogen John Marston Jonson kind King last plays Leontes Lucio lust Macilente magic Malevole marriage Marston masque Measure for Measure Mendoza Milan Miranda moral murder nature opening scene Pandarus Parolles passion Paulina Perdita perspective Pietro Pisanio play's Polixenes Pompey Posthumus present Prospero queen Revenger's Tragedy role satire says seems seen Sejanus sense Shakespeare Spanish Tragedy speak speech stage stance Stephano strange Tempest theatrical thee Thersites thou tonality Trinculo Troilus and Cressida truth virtue vision Winter's Tale Wolsey words