The Idea of Authorship in America: Democratic Poetics from Franklin to MelvilleUniversity of Wisconsin Press, 1990 - 268 páginas |
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Página 19
... culture to be- come the voice of the god . Choice , here , can never be more than a secondary phenomenon , a sort of ... culture against itself , he speaks outside the culture altogether and as refusing to authorize it . He is the one ...
... culture to be- come the voice of the god . Choice , here , can never be more than a secondary phenomenon , a sort of ... culture against itself , he speaks outside the culture altogether and as refusing to authorize it . He is the one ...
Página 97
... culture , thus enlarged , is not culture at all , for the job of the romancer is to use culture as an instance of human- ity conceived in a kind of acultural eternality . To take the best scene in The Yemassee , a vivid depiction of an ...
... culture , thus enlarged , is not culture at all , for the job of the romancer is to use culture as an instance of human- ity conceived in a kind of acultural eternality . To take the best scene in The Yemassee , a vivid depiction of an ...
Página 117
... Culture others itself as nature , con- fronts nature as culture othered . For there is no nature and no culture in the passage but as culture creates them . The law of nature is the choice of culture turned into law . The force of neces ...
... Culture others itself as nature , con- fronts nature as culture othered . For there is no nature and no culture in the passage but as culture creates them . The law of nature is the choice of culture turned into law . The force of neces ...
Índice
Charles Brockden Brown and | 39 |
Coopers Myth | 78 |
Poe and Plagiarism | 118 |
Direitos de autor | |
2 outras secções não apresentadas
Palavras e frases frequentes
accept accordingly alienation allegory already American appears assert attempt audience authorship Autobiography become beginning Brockden Brown career character Charles claim conceived concern Confidence-Man continue Cooper course critics culture death democratic deny describes difference difficulty discussed division early effect established evident example exists explain fact fiction finally force formalism Franklin give hand Hawthorne Hawthorne's independent Indian individual kind language least less letter literature living longer matter meaning Melville Melville's Moby-Dick moral narrative nature never noted novel object once opposition particular perhaps Poe's position precisely present Press problem reader reason reference refusal relation remains representative responsibility rhetorical romantic seems seen sense separation sort speak stands story Studies taken tale tells thing tion true truth turn Univ whole writing written York
Referências a este livro
Master Plots: Race and the Founding of an American Literature, 1787-1845 Jared Gardner Pré-visualização limitada - 2000 |
Charles Brockden Brown and the Literary Magazine: Cultural Journalism in the ... Michael Cody Pré-visualização limitada - 2004 |