The Idea of Authorship in America: Democratic Poetics from Franklin to MelvilleUniversity of Wisconsin Press, 1990 - 268 páginas |
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Página 51
... narrative mode he should employ , narrative proper or epistolary . Something in between these two , in fact , was his choice for the bulk of his famous novels , and we shall discuss the issue in greater detail later . But we can say ...
... narrative mode he should employ , narrative proper or epistolary . Something in between these two , in fact , was his choice for the bulk of his famous novels , and we shall discuss the issue in greater detail later . But we can say ...
Página 64
... narratives embedded in the larger narrative , yet narratives that must be finished as if they were not . Of course , I am aware , it might be argued that the difficulty of such stories may be explained away if we do not , as formalists ...
... narratives embedded in the larger narrative , yet narratives that must be finished as if they were not . Of course , I am aware , it might be argued that the difficulty of such stories may be explained away if we do not , as formalists ...
Página 71
... narration to which the narrator is largely irrelevant . Not the speaker's " motives , " after all , not his " concerns and transac- tions " will be presented , but only his purpose “ to compose a narrative . " Telling remains the only ...
... narration to which the narrator is largely irrelevant . Not the speaker's " motives , " after all , not his " concerns and transac- tions " will be presented , but only his purpose “ to compose a narrative . " Telling remains the only ...
Índice
Charles Brockden Brown and | 39 |
Coopers Myth | 78 |
Poe and Plagiarism | 118 |
Direitos de autor | |
2 outras secções não apresentadas
Palavras e frases frequentes
accept accordingly alienation allegory already American appears assert attempt audience authorship Autobiography become beginning Brockden Brown career character Charles claim conceived concern Confidence-Man continue Cooper course critics culture death democratic deny describes difference difficulty discussed division early effect established evident example exists explain fact fiction finally force formalism Franklin give hand Hawthorne Hawthorne's independent Indian individual kind language least less letter literature living longer matter meaning Melville Melville's Moby-Dick moral narrative nature never noted novel object once opposition particular perhaps Poe's position precisely present Press problem reader reason reference refusal relation remains representative responsibility rhetorical romantic seems seen sense separation sort speak stands story Studies taken tale tells thing tion true truth turn Univ whole writing written York
Referências a este livro
Master Plots: Race and the Founding of an American Literature, 1787-1845 Jared Gardner Pré-visualização limitada - 2000 |
Charles Brockden Brown and the Literary Magazine: Cultural Journalism in the ... Michael Cody Pré-visualização limitada - 2004 |