Sight Unseen: Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on RadioOhio University Press, 1996 - 238 páginas In Sight Unseen radio drama, a genre traditionally dismissed as popular culture, is celebrated as high art. The radio plays discussed here range from the conventional (John Arden's Pearl) to the docudramatic (David Rudkin's Cries from Casement), from the curtly conversational (Harold Pinter's A Slight Ache) to the virtually operatic (Robert Ferguson's Transfigured Night), testifying to radio drama's variety and literary stature. Two of the plays included in this study pose aesthetic questions--the role of art in politics (Howard Barker's Scenes from an Execution), and the nature of artistic excellence (Tom Stoppard's Artist Descending a Staircase). Guralnick contends that well-crafted radio plays tend to meld to their medium so naturally that they cannot be transferred to the theater or to film without being diminished. Each play is thus shown to exploit, to special effect, one of radio's fundamental features: its invisible stage (Barker and Stoppard), its affinity to music (Ferguson and Beckett), its ability to imitate the mind's subjectivity (Kopit and Pinter), its association with world events through features and the news (Rudkin). As for the question of radio's relation to the theater, the issue is engaged in the work of John Arden, who dares to portray a theatrical stage on the airwaves, while intimating that the radio offers contemporary playwrights an incomparable boon: creative conditions roughly equivalent to those enjoyed by Shakespeare. |
Índice
Chapter | 29 |
Chapter Three | 53 |
Chapter Four | 99 |
Direitos de autor | |
4 outras secções não apresentadas
Palavras e frases frequentes
action actually appears Arden artist audience Backhouse Bagman Beauchamp Beckett become better broadcast called Carpeta Casement characters close comes condition consider context create Cries describes Donner drama Duchamp Edward effect Emily English example exist experience expression face fact figure finally Flora follows Galactia give given hear idea imagination Ireland Irish language least less listeners live look matchseller matter means mind monologue Moreover Narrator Narrator's nature never Night observes once painting particular Pause Pearl performance perhaps person play playwright political present production pure question radio radio drama radio play reason remains represent respect Rudkin says scene seems sense Slight Sophie sound speak stage story suggests sure tell theater things thought Transfigured true truth turn visual voice Wings woman writing
Referências a este livro
Essays on Music and the Spoken Word and on Surveying the Field Suzanne M. Lodato,David Francis Urrows Pré-visualização indisponível - 2005 |