Sight Unseen: Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on RadioOhio University Press, 1996 - 238 páginas In Sight Unseen radio drama, a genre traditionally dismissed as popular culture, is celebrated as high art. The radio plays discussed here range from the conventional (John Arden's Pearl) to the docudramatic (David Rudkin's Cries from Casement), from the curtly conversational (Harold Pinter's A Slight Ache) to the virtually operatic (Robert Ferguson's Transfigured Night), testifying to radio drama's variety and literary stature. Two of the plays included in this study pose aesthetic questions--the role of art in politics (Howard Barker's Scenes from an Execution), and the nature of artistic excellence (Tom Stoppard's Artist Descending a Staircase). Guralnick contends that well-crafted radio plays tend to meld to their medium so naturally that they cannot be transferred to the theater or to film without being diminished. Each play is thus shown to exploit, to special effect, one of radio's fundamental features: its invisible stage (Barker and Stoppard), its affinity to music (Ferguson and Beckett), its ability to imitate the mind's subjectivity (Kopit and Pinter), its association with world events through features and the news (Rudkin). As for the question of radio's relation to the theater, the issue is engaged in the work of John Arden, who dares to portray a theatrical stage on the airwaves, while intimating that the radio offers contemporary playwrights an incomparable boon: creative conditions roughly equivalent to those enjoyed by Shakespeare. |
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Chapter | 29 |
Chapter Three | 53 |
Chapter Four | 99 |
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actor actually appears Arden Artist Descending Athaliah audience Backhouse Bagman Barker BBC Radio Beauchamp Beckett broadcast Cage canvas Carpeta Cascando characters context Cries from Casement Descending a Staircase dialogue Donner Duchamp Edward Emily Emily's English Esther example fact Ferguson Flora Galactia Galactia's painting Grimscar hear imagination insofar Ireland Irish John Arden Jonson Julius Caesar Kopit Krapp's Last Tape language Lepanto listeners Marcel Duchamp Margaretta D'Arcy Martello matchseller matchseller's matter means medium mind monologue Moreover narrative Narrator Narrator's never nonetheless particular Pause Pearl Penda's Fen performance Pinter play's playwright political Prodo production puppets question Racine radio drama radio play Roaratorio Roger Casement Rudkin Samuel Beckett says scene Schiller Schoenberg script sense sexual Slight Ache Sophie Sophie's sound speak speech stage plays Stoppard story suggests sure tape tell theater things Transfigured Night truth Urgentino visual voice Wings woman Words and Music
Referências a este livro
Essays on Music and the Spoken Word and on Surveying the Field Suzanne M. Lodato,David Francis Urrows Pré-visualização indisponível - 2005 |