Tragic ReliefOxford University Press, 1932 - 233 páginas |
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Página 29
... ARISTOTLE Let us conclude with Aristotle , who has been rightly called ' our Emperor , the perpetual dictator of all the fine arts ' . Although his theory may not be ' as infallible as the elements of Euclid ' , as Lessing thought it to ...
... ARISTOTLE Let us conclude with Aristotle , who has been rightly called ' our Emperor , the perpetual dictator of all the fine arts ' . Although his theory may not be ' as infallible as the elements of Euclid ' , as Lessing thought it to ...
Página 30
... Aristotle's theory is unsound . It seems to us that Aristotle simply meant that tragic drama , by the nature of its theme , would rouse the emotions of pity and fear ; and since in real life these emotions contain an element of pain ...
... Aristotle's theory is unsound . It seems to us that Aristotle simply meant that tragic drama , by the nature of its theme , would rouse the emotions of pity and fear ; and since in real life these emotions contain an element of pain ...
Página 31
... Aristotle . We cannot for a moment persuade ourselves to believe , with Bywater , that tragedy is a greater necessity with persons suffering from an excess of the disturbing emotions of pity and fear , than with healthy , normal people ...
... Aristotle . We cannot for a moment persuade ourselves to believe , with Bywater , that tragedy is a greater necessity with persons suffering from an excess of the disturbing emotions of pity and fear , than with healthy , normal people ...
Índice
PLEA | 1 |
PHILOSOPHICAL EXPOSITIONS OF TRAGIC PLEASURE | 12 |
THE SECRET OF TRAGIC PLEASURE | 34 |
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action appear Aristotle attempt audience avenger brings called cause chapter character circumstance comedy comic common course crime death deed device Dick distinctive double impression effect element Elizabethan entire essential exceptional expression external fact fate father fear feel forces ghost give Hamlet hand hesitancy horror human husband impression incident indicate inner internal conflict introduction killed kind King Lear live look lyrical Macbeth manner meet merely mind murder namely nature Nora Othello outer pain passion picture pity play pleasure plot poetic poetry presented principle produce Professor regard represented revenge says scene seems seen sense serves Shakespeare shock situation soliloquies sorrow spirit stage struggle suffering suggest supernatural sway theme theory things thought thrown tion tragedy tragic drama tragic dramatist tragic hero tragic relief turn ultimate wife